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Big Ears essay Festival Coverage Music

A Universe of Music in an Appalachian City: Big Ears Festival 2026

Posted on: April 13, 2026April 13, 2026
essay Film

Automatic Chronograph: The Films of Anocha Suwichakornpong

Posted on: April 2, 2026April 2, 2026
Film interview Music Photography

The Pulp Archives: Mark Webber and Paul Burgess on Film, Books, Pulp and More

Posted on: March 18, 2026March 18, 2026
Film interview

Memory and Coexistences: An Interview with Jeannette Muñoz

Posted on: February 23, 2026February 23, 2026
Film interview

“This is not a history, this is an ongoing phenomenon”: Akio Fujimoto, Kazutaka Watanabe, and Sujauddin Karimuddin on Lost Land

Posted on: February 16, 2026February 16, 2026
Images of Time: An Interview with Shinya Isobe
Film / interview

Images of Time: An Interview with Shinya Isobe

Posted on: December 22, 2025December 22, 2025

Alex Fields speaks with Shinya Isobe about the gradual development of his experimental approach, time and cinema, the dynamic presence of sound in his work, and more.

The Devil’s Rendering: On Jiří Trnka’s Antifascist Visuals 
essay / Film

The Devil’s Rendering: On Jiří Trnka’s Antifascist Visuals 

Posted on: November 20, 2025November 20, 2025

Tyler Thier writes on Jiří Trnka’s antifascist, animated bricolages, placing their subversive tactility in opposition to frictionless and fascist AI imagery.

Redrawing the Map: Alpe-Adria Underground! (2024) and the Unfolding Histories of Slovenian Experimental Cinema
Festival Coverage / Film

Redrawing the Map: Alpe-Adria Underground! (2024) and the Unfolding Histories of Slovenian Experimental Cinema

Posted on: November 11, 2025November 11, 2025

Mariya Nikiforova writes about Alpe-Adria Underground! (2024), an ambitious chronicle of Slovenia experimental cinema. Nikiforova’s essay digs into the challenges of film historiography while giving a detailed overview of this rich and overlooked heritage.

Illusional Civilization: Bahram Beyzaei’s Journey
essay / Film

Illusional Civilization: Bahram Beyzaei’s Journey

Posted on: November 4, 2025November 4, 2025

Faranak Nateghi on the context and poetics of Journey (Safar, 1972), Bahram Beyzaei’s metaphorical portrait of Tehran as a modern city of dazzling surfaces and transparent class inequality and alienation.

Pleasure Principles: Kalil Haddad on “He Never Dies”
Film / interview

Pleasure Principles: Kalil Haddad on “He Never Dies”

Posted on: October 24, 2025October 29, 2025

Alexander Mooney speaks with Kalil Haddad about the radical queer form and convictions of his 4 film cycle, He Never Dies.

“I Listen to the Worn-Out Rain”—the Ineffable Vibrations of Loren Connors
interview / Music

“I Listen to the Worn-Out Rain”—the Ineffable Vibrations of Loren Connors

Posted on: October 22, 2025October 29, 2025

Maximilien Luc Proctor gives an overview of the twists, turns and poetics of poet, magician, sage Loren Connors.

Dossier: Loren Connors
Music

Dossier: Loren Connors

Posted on: October 22, 2025October 22, 2025

A new dossier of texts about the avant-garde blues of Loren Connors.

“The Act of Creation is Driven by Memory”—An Interview with Filmmaker Vincent Guilbert
Film / interview / Music

“The Act of Creation is Driven by Memory”—An Interview with Filmmaker Vincent Guilbert

Posted on: October 22, 2025October 22, 2025

Ruairí McCann and Maximilien Luc Proctor speak with Vincent Guilbert about Gestures, his intimate, tactile and allusive portrait of Loren Connors.

“What I’m Doing Now Suits Me Best”—An Interview with Loren Connors
interview / Music

“What I’m Doing Now Suits Me Best”—An Interview with Loren Connors

Posted on: October 22, 2025October 22, 2025

Ruairí McCann and Maximilien Luc Proctor speak with Loren Connors in a wide-ranging conversation about the film Gestures, his music, life and influences.

Loren’s Laments: Loren Connors’ Eulogies and Evocations of Old New York
Music

Loren’s Laments: Loren Connors’ Eulogies and Evocations of Old New York

Posted on: October 22, 2025October 29, 2025

Ruairí McCann on the power of Loren Connors’ ’90s historical NYC records and their communion with the dead.

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