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Compilation: International Women’s Day 2020
Join us in celebrating women artists of the world! Continue reading Compilation: International Women’s Day 2020
UDVFF: Special Screening #2 – ‘Driftwood’
We will be live-streaming our second special UDVFF program next Friday, February 12th at 8pm Berlin Time (Central European Time). Continue reading UDVFF: Special Screening #2 – ‘Driftwood’
Correspondence: Deerhoof
Max and Ruairí detail their personal histories with Deerhoof. Continue reading Correspondence: Deerhoof
Review: ‘Preparations to be Together for an Unknown Period of Time’ (2020, dir. Lili Horvát)
Judging by its title, Hungary’s submission for the Oscars may sound mechanical and stiff, but director Lili Horvát’s second feature is anything but. Continue reading Review: ‘Preparations to be Together for an Unknown Period of Time’ (2020, dir. Lili Horvát)
Translation: ‘Hollywood in Germany or: Culture as Currency’ by Sohrab Shahid Saless
On the occasion of Film & Fernseh Juwelen’s Blu-ray release of Sohrab Shahid Saless’ Utopia, hitherto only available in a borderline unwatchable condition, I present to you the English translation of a text written by Saless himself after making Utopia. Continue reading Translation: ‘Hollywood in Germany or: Culture as Currency’ by Sohrab Shahid Saless
Diary: Fondly Remembering Festivals
Rounding up a well-overdue collection of memories from this year’s IFFR, Berlinale, and online festivals. Continue reading Diary: Fondly Remembering Festivals
3 Songs that Got Us Through the Year
As the title suggests, this list collects our contributors’ 3 songs that got them through this hell-year. Continue reading 3 Songs that Got Us Through the Year
Dogme Year Zero: Topographies of Adolescence
In early October, an email reached me. ‘Comrades of the Kino’, the first line addressed its recipients. Continue reading Dogme Year Zero: Topographies of Adolescence
Dogme Year Zero: Microphones in 2020
by Ruairí McCann Knowing no one understands these songs,I try to sing them clearer.Even though no one has ever asked:”What does Mount Eerie mean?”I have tried to repeatedly explainIn complicated songs.But tonight, we will find out.I know no one.And no one knows me. Those are the opening lyrics of “No Flashlight”: Songs of the Fulfilled Night (2005). The first album Phil Elverum released as ‘Mount … Continue reading Dogme Year Zero: Microphones in 2020
Dogme Year Zero: The Filmmaker’s Co-op
by paul a. Since the start of November, I’ve been part of a special film club of sorts: one hosted weekly at the Filmmakers Co-op in New York, within the Charles S. Cohen screening room, with the ever-lovely and generous MM Serra serving as both projector and moderator. I regularly attend with my good friend/brother-in-arms Manny (notoriously known as pops baron on letterboxd) who’s been … Continue reading Dogme Year Zero: The Filmmaker’s Co-op
Dogme Year Zero: The Blue Hour
The last movie I saw screened theatrically was Alfred Hitchcock’s Shadow of a Doubt, on a 35mm print, March 9th, at New York City’s Film Forum. Continue reading Dogme Year Zero: The Blue Hour
