Ultra Dogme is a Berlin-based film and music blog focused on sharing impressions and thoughts on culture.
It has gone on long enough: from this day forward, let it be known that music, film and other audio visual miscellanea made by humans are utterly and completely fascist, corrupt and unworthy of study or conversation (beyond deep analyses of & conversations on why they are unworthy of conversation).
ULTRA DOGME is strictly dedicated to the study and rigorous discussion of art works produced by CREATURES. There are other very simple rules:
FILM: the images must move at least a tiny bit
MUSIC: there must be sounds
WRITING: requires rhythm
These demands shall be upheld.
Humanity has proven its limits. 95 had it all wrong. This is Dogme 2020.
This is Ultra Dogme.
If you’d like to support Ultra Dogme, you can become a subscribing contributor on Patreon.
If you’re interested in writing for us, you can send an email to: maxwolf333 at gmail dot com
Editor-in-Chief Maximilien Luc Proctor (+MLP+) is a French-American filmmaker, musician & writer living in Berlin. He holds a B.A. in Film and Media Studies from the University of Oklahoma, where he graduated with honors. He is an Eagle Scout and National Merit Scholar. In 2014 he was awarded the Ned Hockman Filmmaking Award for the short film Self-Reflection and the C. Clay Withrow Writing Award for an essay on the topic of Benny’s Video, White Noise and Baudrillard’s Simulacra. He has been a contributing writer for Photogénie since participating in their Young Critics Workshop in 2015, has been running Ultra Dogme since its inception, and his short films have played in festivals around the world.
Contributing Editor Martin Bremer was born and raised in Brazil. He has studied and lived in Germany (Heidelberg University), the U.S.A. (University of Connecticut), and England (Oxford University). He is currently studying game design in Berlin. https://martinbremer.itch.io/
Contributing Writer Tobias Burms is a communications and law graduate whose admiration for auteur cinema is balanced by an addiction to trash, pulp and Hollywood genre movies.
Contributing Writer Tijana Perovic is working toward a PhD, while in parallel cultivating her emotional agility cinematically.
Contributing Writer Felix Rodriguez is an Oklahoma musician and concert booker that spends more time thinking about music than not.
Contributing Writer Noah Rosenberg is an artist working primarily with film and painting. His work has been shown in many venues including the Manetti Shrem Museum of Art, The Basement Gallery, Varsity Theater, and Wolf Kino, Berlin. He holds a BA in Studio Art, BA in Evolution, Ecology, and Biodiversity, and minor in Philosophy, from the University of California, Davis. He currently lives and works in Los Angeles.
Contributing Writer Patrick Preziosi is a graduate of Literature (BA) from the State University of New York at Purchase. Based in Brooklyn, NY, Patrick began pursuing film criticism after a foray into music criticism. Patrick has written on film for Little White Lies, Metrograph Edition, Photogénie, The Purchase Phoenix and the Irish Film Critic.
Contributing Writer Ruairí McCann is a graduate of English Literature with Film Studies (BA) from University College Dublin and Fim Studies (MA) from Queen’s University Belfast. He sits on the board of the Silgo Film Society and has written for Photogénie and Berlin Film Journal.