by Joshua Peinado For more than a decade, Michael Sicinski has been one of the most prominent critics of experimental and avant garde film. His writing has appeared […]
AInfection: Generative Artificial Intelligence Infiltrates the Avant-Garde
Olivia Hunter Willke scrutinizes the unlabeled inclusion of generative AI pieces in this year’s Onion City and Ann Arbor experimental film festivals.
The Cost of Thinking: Open City Documentary Festival 2024
Arta Barzanji reports from this year’s Open City Documentary Festival.
A Few Bright Spots in the Desert: A Report on the 62nd Ann Arbor Film Festival
Reporting on the Ann Arbor Film Festival, Joshua Peinado writes about some of the high points of this year’s edition.
Three Promises: A Cinematic Journey into Love, Loss, and the Untold Stories of Palestine
Hoor ElShafei reports from the Reel Palestine festival in Dubai.
Mambar Pierrette: All of Cameroon’s Cares on Her Shoulders
Abiba Coulibaly writes about Rosine Mbakam’s first narrative feature film, MAMBAR PIERRETTE.
Celluloid Now, More Than Ever
Olivia Hunter Willke surveys this year’s CELLULOID NOW, an all-analog “community-centered and artist-forward” film series in Chicago.
In and Out Front of You: An Interview with Tenzin Phuntsog
A.E. Hunt speaks with artist Tenzin Phuntsog about his works at the Berlinale Forum Expanded, showing through March 5th.
Around The World in 14 Films: ‘When The Waves Are Gone’, ‘EO’ and ‘Trenque Lauquen’
by Florian Weigl One way to test the cinephile mettle of a country is to go to its most prominent festival of festivals. Canada and Toronto have TIFF, […]
Contemporary Limbo: Albert Serra’s ‘Pacifiction’
“The thrill of seeing bastions of society crumble in real time, the pervading sense of quiet reluctance as the doomsday clock moves forward, the grimy and unkempt edges of a world whose hope of subsisting is quickly fading away…”