Welcome to the first Ultra Dogme Virtual Film Festival. We are excited to be trying something new. Continue reading The Ultra Dogme Virtual Film Festival: Program 1 – 'From a Distance'
A 16mm camera moves slowly across a sun-filled one-room apartment from the not-too-distant past. The colors are vibrant, we see a bright red velvet chair against a light-worn wooden wall. Breakfast is laid out on a circular table, half-finished and enticing. Continue reading Women’s Day: ‘La Chambre’ (1972) by Chantal Akerman
Join us in celebrating women artists of the world! Continue reading Compilation: International Women’s Day 2020
As with our Best of the Decade in Film list, these album lists should be taken less as definitive statements on what was objectively best, and instead be considered as their own entities, to enrich rather than compete with other lists on this page (or other sites) – each a meaningful observation with a strong personal bent. Be sure to also check out Felix Rodriguez’s … Continue reading Best of the Decade: Music
We asked our contributing writers (as well as a couple of future contributors) to offer up lists of films from the last decade which impacted them in a significant way. While we are presenting these as our ‘best of’ lists, the idea was primarily to show several lists covering a variety of moving image works from the multiplex to the avant-garde, some well-loved, others perhaps under-seen. Continue reading Best of the Decade: Film
I can still see the composition of L. Cohen when I close my eyes: a nondescript green field extends diagonally towards a snow-brimmed mountain. Continue reading Review: L. COHEN (2018) by James Benning