As with our Best of the Decade in Film list, these album lists should be taken less as definitive statements on what was objectively best, and instead be considered as their own entities, to enrich rather than compete with other lists on this page (or other sites) – each a meaningful observation with a strong personal bent. Be sure to also check out Felix Rodriguez’s … Continue reading Best of the Decade: Music
We asked our contributing writers (as well as a couple of future contributors) to offer up lists of films from the last decade which impacted them in a significant way. While we are presenting these as our ‘best of’ lists, the idea was primarily to show several lists covering a variety of moving image works from the multiplex to the avant-garde, some well-loved, others perhaps under-seen. Continue reading Best of the Decade: Film
by +MLP+ We’re all looking for something great to watch. Moving images which will actually move and challenge us: to be better viewers and better people. In the contemporary streaming hellscape, there is an overabundance of ‘stuff to watch’ and a dire lack of meaningful & engaging work. So to celebrate the launch of yet another tiresome streaming service, I wanted to focus some great … Continue reading 7 Great Experimental Short Films on Vimeo
A few questions with Canada’s brilliant and bizarre rock outfit. Continue reading An Interview with a band called Blessed
“Well, to tell you the truth, I have never started a project or a picture from a story. It has never been the way I think of the pictures. I’ve always had a subject, or more like an image, or a procedure, but never a story, the story is always the last thing that comes [to me].” Continue reading “Books on the Internet” – An Interview with Mariano Llinás
Ivan Marković on his work as cinematographer (‘I Was at Home, But…’) and co-director (‘From Tomorrow On, I Will’) of his two most recent films. Continue reading An Interview with Ivan Marković
written by Maximilien Luc Proctor, edited by Martin Bremer Wilting, bending, fraying, the edges of the frame dance. Brimming with signs of decay and the promise of a new life, the films of Bill Morrison turn remnants into relics, cultivating fragments of forgotten material to assemble pieces which both resist and celebrate death. His are films all about that ever-elusive sense of purpose many of … Continue reading “Context is still important.” An Interview with Bill Morrison
