Review: ‘The Disciple’ (2020) by Chaitanya Tamhane – London Film Festival

Early in writer-director Chaitanye Tamhane’s second feature, The Disciple, the mastery of Hindustani classical music is described as an ‘eternal quest’, which will require ‘sacrifice and no surrender’. Later, its polar opposite is expressed, encouraging practitioners to take a step back and look at what they do within its historical context. Continue reading Review: ‘The Disciple’ (2020) by Chaitanya Tamhane – London Film Festival

Revolutionizing Festivals – Notes on the First Virtual Ann Arbor Film Festival

If somebody had told me that my first experience of Ann Arbor Film Festival would happen during one of the worst pandemics in recent human history, while I was locked down in the Parisian periphery, I would have seriously reconsidered this person’s mental condition. Continue reading Revolutionizing Festivals – Notes on the First Virtual Ann Arbor Film Festival