
Nothingtoseeness
Looking back at December’s ‘NothingtoSeeness’ film program at Akademie der Künste in Berlin, including an excerpt from Gregory J. Markopoulos’ ‘Eniaios’ Continue reading Nothingtoseeness
Looking back at December’s ‘NothingtoSeeness’ film program at Akademie der Künste in Berlin, including an excerpt from Gregory J. Markopoulos’ ‘Eniaios’ Continue reading Nothingtoseeness
Happy International Women’s Day! Continue reading International Women’s Day 2022
The camera’s capacity to act against the intractable march of time, the “slow deterioration” of Frazier’s family and town, is enabled in large part by her method of working, through the years-long, collaborative relationships Frazier establishes with her photographic subjects. Continue reading LaToya Ruby Frazier’s ‘The Notion of Family’ (2001-2014)
In February 2011, Jodie Mack’s Rad Plaid was shown at Anthology Film Archives while two groups from the audience shouted “plaid” every time they saw vertical or horizontal lines on screen. Continue reading Red, a Jodie Mack tribute
The works of sound artist and nonfiction filmmaker Félix Blume deal with the interpretative possibilities of aural narratives. From installation sound-pieces built around Thailand’s shoreline, to album releases focusing on Haiti’s funerary traditions, his artistic output always serves as an extension of a wider multimedia project built around sonic tradition. Continue reading “A Pirate of Sounds” — An interview with Félix Blume
In his latest work, (Third Study for) Swedge of Heaven (2020), multi-disciplinary artist Richard Forbes-Hamilton presents us with the precise image of his beat: a digitally animated individual with an oversized yellow whistle for a head – complete with a stoic ‘have a nice day’ smiley for a face – arrhythmically pounding on a drum with glow sticks. Continue reading “The skeleton of what you’re making” — An Interview with Richard Forbes-Hamilton
Women in Revolt is the kind of glorious filth they just don’t — or is it can’t? — make any more. Continue reading ‘Women in Revolt’
A new dossier of short texts on the cinematic work of Andy Warhol. Continue reading Re-Introducing Warhol
by Luise Mörke “I could introduce you to people… interesting people,” Ed Hood’s character in My Hustler (1965) promises the object of his desire (Paul America) in exchange for continuing their transactional relationship. The people Ed is referring to likely stem from his upper class circles. We can imagine that he will take Paul to lavish soirées and swanky parties, where one basks in the … Continue reading Vested Interest – ‘My Hustler’
by Will Sloan It’s cliché to observe that Andy Warhol’s filmography resembles the evolution of cinema itself. Warhol begins, as did Edison and Lumière, with silent films that invite us to wonder at a single visual idea (Sleep, Kiss, Eat). Quickly he introduced sound, color, movie stars, and more conventional visual grammar until finally arriving at Andy Warhol’s Bad (1976), which is so close to … Continue reading ‘Vinyl’