The destruction of a building: more important than the brief moment of the blast are the hours leading up to the detonation. Continue reading The Awkward Altbau – Urban Structures and Dreams of the Future in Konrad Wolf’s ‘Solo Sunny’ (1980)
Happy International Women’s Day Continue reading Compilation: Women’s Day 2021
Since the official start of the pandemic one year ago, I have found myself thinking about Jeanne Dielman, 23 Commerce Quay, 1080 Brussels (1975) every now and then. Continue reading JD 2.0
Corita Kent – artist, nun, activist – flaunted her own interpretation of holiness by artfully expressing her love for the most common of things. Continue reading Corita Kent
Welcome to the future. We ride on the last of many train cars, which is the present, traveling forward through the past, or the future. In our daily life the past may as well be the future. Continue reading On Catching Glimpses…
Max and Ruairí detail their personal histories with Deerhoof. Continue reading Correspondence: Deerhoof
Rounding up a well-overdue collection of memories from this year’s IFFR, Berlinale, and online festivals. Continue reading Diary: Fondly Remembering Festivals
As the title suggests, this list collects our contributors’ 3 songs that got them through this hell-year. Continue reading 3 Songs that Got Us Through the Year
Hello and welcome to the first-ever crossover episode between Ultra Dogme and Cinema Year Zero. Continue reading Compilation: Dogme Year Zero
by Ruairí McCann Knowing no one understands these songs,I try to sing them clearer.Even though no one has ever asked:”What does Mount Eerie mean?”I have tried to repeatedly explainIn complicated songs.But tonight, we will find out.I know no one.And no one knows me. Those are the opening lyrics of “No Flashlight”: Songs of the Fulfilled Night (2005). The first album Phil Elverum released as ‘Mount … Continue reading Dogme Year Zero: Microphones in 2020
