International Women’s Day 2022
Happy International Women’s Day! Continue reading International Women’s Day 2022
Category: Reviews
The Strangely Familiar in Wen-Han Chang’s ‘Strange World’
Strange World (2018) is a short experimental film and photographic series by artist Wen-Han Chang that merges color, light, and ambient sound at a frenetic pace. Continue reading The Strangely Familiar in Wen-Han Chang’s ‘Strange World’
Review: ‘To The Moon’ (2020), dir. Tadhg O’Sullivan
by Ruairí McCann One of the most iconic images of early cinema, from Georges Méliès’s Le Voyage dans la Lune (1902), depicts a cylindrical rocket ship lodged in the eye of a personified moon. From this cast-iron splinter flows a gaggle of scientists with wizard-like abilities and appearances. Once they have bored their way through the great stony grimace, they find not a dead rock … Continue reading Review: ‘To The Moon’ (2020), dir. Tadhg O’Sullivan
‘Women in Revolt’
Women in Revolt is the kind of glorious filth they just don’t — or is it can’t? — make any more. Continue reading ‘Women in Revolt’
Major Minor Love—On Hong Sang-soo’s ‘Introduction’ and ‘In Front of Your Face’
There’s no standard criterion for deducing the major/minor status of any given Hong Sang-soo film, which occur at such a steady clip that even the usual associative buzzwords––prolific, generous, obsessive, redundant even––fail at even their most basic purpose. Continue reading Major Minor Love—On Hong Sang-soo’s ‘Introduction’ and ‘In Front of Your Face’
Blu Review: ‘The Shakedown’ (Early Universal Vol. 1, Eureka)
by Ruairí McCann The Shakedown (1929) has just found its way to a Blu-ray release, via Eureka’s Masters of Cinema line and the boxset Early Universal Vol.1, where it’s presented in its silent version with a lively jazz score by Michael Gatt. This finely forged and unabashedly felt movie is no small example of the late silent era on its plinth, when it comes to … Continue reading Blu Review: ‘The Shakedown’ (Early Universal Vol. 1, Eureka)
Rice Krispies for a Revolution – Blu Review: ‘The Edge/Ice’ by Robert Kramer (Re:Voir Video)
by Jack Seibert How many French critics does it take to release an American movie? Somewhere in the dozens, if the movie is Robert Kramer’s The Edge. Cahiers du Cinéma spilled gallons of ink around its 1968 release, with Jacques Rivette naming it his favorite film of the year. Three years later he’d transport its paranoid post-revolutionary ramblings across the Atlantic for his legendary Out … Continue reading Rice Krispies for a Revolution – Blu Review: ‘The Edge/Ice’ by Robert Kramer (Re:Voir Video)
Communing in a Corporatized University: ‘Manifesto’ (2020) by Ane Hjort Guttu
by Tomáš Hudák In her latest short film Manifesto, awarded the Dutch critics’ KNF Award at IFF Rotterdam, artist and filmmaker Ane Hjort Guttu examines the institution of university, power relations, and the idea of utopia. Stylized as a documentary, the film focuses on a Norwegian art school that has recently been integrated into a larger university. With staff and students struggling to keep the … Continue reading Communing in a Corporatized University: ‘Manifesto’ (2020) by Ane Hjort Guttu
Book Review: ‘Honor Among Thieves: The Cinema of Jean-Pierre Melville’ by Andrew Dickos
Honor Among Thieves: The Cinema of Jean-Pierre Melville is a well-researched and written primer for one of French cinema’s greatest mad mercenaries and lionhearts. Continue reading Book Review: ‘Honor Among Thieves: The Cinema of Jean-Pierre Melville’ by Andrew Dickos
Two Short Films by Atoosa Pour Hosseini, A Report from LUMINOUS VOID: Twenty Years of Experimental Film Society at the Project Arts Centre
Atoosa Pour Hosseini is intent on depicting and blurring notions of performed art and documentary footage with mythic and deconstructed imagery, and the Holocene mingled with the Anthropocene. Continue reading Two Short Films by Atoosa Pour Hosseini, A Report from LUMINOUS VOID: Twenty Years of Experimental Film Society at the Project Arts Centre
ULTRA DOGME 