Digging Shallow And Deep—Portrayals Of ‘The Farmer’ In New Tamil Cinema

“The customary hero-introduction shot in Tamil language drama Kadaikutti Singam (2018) happens during the scene of a rekla race, the traditional bullock cart sport held in Tamil Nadu villages. Before Karthi Shivakumar, the star actor who plays the lead character, makes an appearance, Soori, the comedian who plays the hero’s best friend, takes a look at the bustling arena where bulls are rubbing shoulders with men, and gushes, “How could you curtail this happiness!”” Continue reading Digging Shallow And Deep—Portrayals Of ‘The Farmer’ In New Tamil Cinema

A Sculpture of Ashes—Liner Notes On A Modern, Cinephilic Tragedy

” When I boarded the Nellai Express early in the morning of 16 June 2019 to journey from Neyveli to Chennai along the eastern stitch of the Indian peninsula, I was only marginally surprised to find a thick diary, of the corner-stationery variety, lying atop the brief table next to my berth. Someone had also left behind a half-eaten packet of salted almonds.” Continue reading A Sculpture of Ashes—Liner Notes On A Modern, Cinephilic Tragedy

‘Kiss’

by Ruairí McCann The kiss, that flashpoint of intimacy, communication, and the present tense, has been the subject of art since its prehistory. In Andy Warhol’s Kiss (1963-64), this subject’s ancient roots, straightforward prurience, and its potential for stimulating abstraction can be found in this early example of the artist forging a new cinema: one of ground-breaking casualness and a-causality. Originally conceived and screened as … Continue reading ‘Kiss’