International Women’s Day 2022
Happy International Women’s Day! Continue reading International Women’s Day 2022
Category: Women’s Day 2022
‘Autumn Rush for Kurt Kren and Winter and Spring and Summer’ (2003) dir. Anna Thew
A short appreciation of Anna Thew’s bifurcated film of the seasons, ‘Autumn Rush for Kurt Kren and Winter and Spring and Summer’ Continue reading ‘Autumn Rush for Kurt Kren and Winter and Spring and Summer’ (2003) dir. Anna Thew
Caught Between Two Worlds—A Scene Analysis of ‘Surname Viet Given Name Nam’ (Trinh T. Minh-Ha, 1989)
How do I make a documentary that dispels the relevance of the term ‘documentary’? This is a question that seems to pulse through Trinh T. Minh-Ha’s work, most notably in her seminal film Surname Viet Given Name Nam (1989). Continue reading Caught Between Two Worlds—A Scene Analysis of ‘Surname Viet Given Name Nam’ (Trinh T. Minh-Ha, 1989)
LaToya Ruby Frazier’s ‘The Notion of Family’ (2001-2014)
The camera’s capacity to act against the intractable march of time, the “slow deterioration” of Frazier’s family and town, is enabled in large part by her method of working, through the years-long, collaborative relationships Frazier establishes with her photographic subjects. Continue reading LaToya Ruby Frazier’s ‘The Notion of Family’ (2001-2014)
Ann Hui
“Hui is too versatile and too prolific to be pinned down, labeled, or marketed but too prominent to be “discovered.”” Continue reading Ann Hui
Red, a Jodie Mack tribute
In February 2011, Jodie Mack’s Rad Plaid was shown at Anthology Film Archives while two groups from the audience shouted “plaid” every time they saw vertical or horizontal lines on screen. Continue reading Red, a Jodie Mack tribute
ULTRA DOGME 