To look at the design and flaws of American politics and democracy, Wiseman chooses an entire city and its system as his focal point. Gianvito, on the other hand, chooses a single individual, whose life nevertheless encapsulated a tumultuous early 20th century.
UDVFF: Special Screening #2 – ‘Driftwood’
We will be live-streaming our second special UDVFF program next Friday, February 12th at 8pm Berlin Time (Central European Time).
Dogme Year Zero: The Filmmaker’s Co-op
by paul a. Since the start of November, I’ve been part of a special film club of sorts: one hosted weekly at the Filmmakers Co-op in New York, […]
The Best Experimental Moving Image Works of 2020
by paul a. It was Ken Jacobs who once floated the observation that “the avant-garde never starts on time,” but as the global events of 2020 began (and […]
DVD Review: ‘The Angel Cycle: Selected Works’ by Maria Klonaris + Katerina Thomadaki (Re:Voir Video)
Re:Voir has recently released a modest gem of a set: selected works from The Angel Cycle, by Maria Klonaris and Katerina Thomadaki – the first-ever home video release which samples from the duo’s vast body of work.
DVD Review: ‘Light Years’ by Gunvor Nelson (Re:Voir video)
by MLP Fog Pumas (1967) opens on the inverted black and white of a negative image of a naked girl, lying in an empty bathtub. The camera then […]
UDVFF 11: Agitated Meditation
Editor’s Note: Welcome to the eleventh program of our Virtual Film Festival, which offers a weekly watching schedule of moving image works available for free streaming. Previous programs […]
UDVFF 8: “This is your home, you’re part of everything”
This week we are happy to share links to three nearly-feature-length titles made available by FRACTO and Anthology Film Archives.
UDVFF 7: RE:VOIR + ANALOGICA + FRACTO
This week, we’re doing something a little different.