Dogme Year Zero: Topographies of Adolescence
In early October, an email reached me. ‘Comrades of the Kino’, the first line addressed its recipients. Continue reading Dogme Year Zero: Topographies of Adolescence
In early October, an email reached me. ‘Comrades of the Kino’, the first line addressed its recipients. Continue reading Dogme Year Zero: Topographies of Adolescence
Hello and welcome to the first-ever crossover episode between Ultra Dogme and Cinema Year Zero. Continue reading Compilation: Dogme Year Zero
The last movie I saw screened theatrically was Alfred Hitchcock’s Shadow of a Doubt, on a 35mm print, March 9th, at New York City’s Film Forum. Continue reading Dogme Year Zero: The Blue Hour
by paul a. Since the start of November, I’ve been part of a special film club of sorts: one hosted weekly at the Filmmakers Co-op in New York, within the Charles S. Cohen screening room, with the ever-lovely and generous MM Serra serving as both projector and moderator. I regularly attend with my good friend/brother-in-arms Manny (notoriously known as pops baron on letterboxd) who’s been … Continue reading Dogme Year Zero: The Filmmaker’s Co-op
by Ruairí McCann Knowing no one understands these songs,I try to sing them clearer.Even though no one has ever asked:”What does Mount Eerie mean?”I have tried to repeatedly explainIn complicated songs.But tonight, we will find out.I know no one.And no one knows me. Those are the opening lyrics of “No Flashlight”: Songs of the Fulfilled Night (2005). The first album Phil Elverum released as ‘Mount … Continue reading Dogme Year Zero: Microphones in 2020