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essay Music

Yo! Ho Chi Minh is in the House!: Reflections on Jazz and the Vietnam War

Posted on: April 17, 2026April 17, 2026
Big Ears essay Festival Coverage Music

A Universe of Music in an Appalachian City: Big Ears Festival 2026

Posted on: April 13, 2026April 14, 2026
essay Film

Automatic Chronograph: The Films of Anocha Suwichakornpong

Posted on: April 2, 2026April 2, 2026
Film interview Music Photography

The Pulp Archives: Mark Webber and Paul Burgess on Film, Books, Pulp and More

Posted on: March 18, 2026March 18, 2026
Film interview

Memory and Coexistences: An Interview with Jeannette Muñoz

Posted on: February 23, 2026February 23, 2026
Women’s Day: CLARICE, CLARICE
Women's Day 2020

Women’s Day: CLARICE, CLARICE

Posted on: March 8, 2020

Poetry tribute to writer Clarice Lispector

Women’s Day: Could there be holes that even the kindness of cats can’t fill? – Naoko Ogigami’s ‘Rent-a-cat’ (2012) and compassionate improbabilities
Film / Reviews / Women's Day 2020

Women’s Day: Could there be holes that even the kindness of cats can’t fill? – Naoko Ogigami’s ‘Rent-a-cat’ (2012) and compassionate improbabilities

Posted on: March 8, 2020

“Feeling lonely? I’ll lend you a cat.”

Women’s Day: “Mom, I failed, I’m coming home” – On music, loneliness, immigration, and Mitski
art / Music / Women's Day 2020

Women’s Day: “Mom, I failed, I’m coming home” – On music, loneliness, immigration, and Mitski

Posted on: March 8, 2020

Žarko Urošević walks us through the perfect encapsulations of struggle, fear, failings, and humanity that make up the music of Mitski.

Women’s Day: ‘La Chambre’ (1972) by Chantal Akerman
art / Film / Reviews / Women's Day 2020

Women’s Day: ‘La Chambre’ (1972) by Chantal Akerman

Posted on: March 8, 2020

A 16mm camera moves slowly across a sun-filled one-room apartment from the not-too-distant past. The colors are vibrant, we see a bright red velvet chair against a light-worn wooden wall. Breakfast is laid out on a circular table, half-finished and enticing.

Women’s Day: Three thoughts on Ute Aurand
art / Film / Women's Day 2020

Women’s Day: Three thoughts on Ute Aurand

Posted on: March 8, 2020

Three thoughts offered on 16mm works by German experimental filmmaker Ute Aurand.

Women’s Day: The Limits of Intimacy and Language in the Genealogical Cinema Of Sofia Bohdanowicz
Film / Reviews / Women's Day 2020

Women’s Day: The Limits of Intimacy and Language in the Genealogical Cinema Of Sofia Bohdanowicz

Posted on: March 8, 2020

Over the course of three features, several shorts and an amalgamation of fiction and non-fiction, Canadian filmmaker Sofia Bohdanowicz has deepened her expression of how family wields a powerful and complex influence over an individual’s sense of self.

Compilation: International Women’s Day 2020
art / Film / interview / Music / poetry / Reviews / Video / Women's Day 2020

Compilation: International Women’s Day 2020

Posted on: March 8, 2020

Join us in celebrating women artists of the world!

Women’s Day: Ring Around
Festival Coverage / Film / Woche der Kritik 2020 / Women's Day 2020

Women’s Day: Ring Around

Posted on: March 8, 2020

by Yoana Pavlova Yoana Pavlova is a Bulgarian writer, researcher, and programmer, currently based in Paris. Founding editor of Festivalists.com, with bylines for various outlets in English and French, […]

Women’s Day: Perfect, Imperfect Endings – On Barbara Loden’s ‘Wanda’ (1970)
Film / Reviews / Women's Day 2020

Women’s Day: Perfect, Imperfect Endings – On Barbara Loden’s ‘Wanda’ (1970)

Posted on: March 8, 2020

by Patrick Preziosi Art can be inherently political, but demanding didactic manifestations of intent and closed-circuit endpoints is anything but–– the most piercingly conscious works eschew such politeness […]

Album Review: ‘Circles’ by Mac Miller
Music / Reviews

Album Review: ‘Circles’ by Mac Miller

Posted on: January 28, 2020

When it comes to reevaluating posthumous releases from recently passed rappers these past few years, it’s been best to cede a little more slack than usual to the overall integrity of such projects, given the ever-growing porousness of release guidelines.

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