In anticipation of of a new streaming program, ‘Natural Selection: Five Films by Larry Gottheim’, which premieres on Thursday, March 31st and runs through April 14th, Ultra Dogme […]
A Tamil Trio: Views on the Cinema of Tamil Nadu in the 21st Century
Three new texts on Tamil cinema
Digging Shallow And Deep—Portrayals Of ‘The Farmer’ In New Tamil Cinema
“The customary hero-introduction shot in Tamil language drama Kadaikutti Singam (2018) happens during the scene of a rekla race, the traditional bullock cart sport held in Tamil Nadu villages. Before Karthi Shivakumar, the star actor who plays the lead character, makes an appearance, Soori, the comedian who plays the hero’s best friend, takes a look at the bustling arena where bulls are rubbing shoulders with men, and gushes, “How could you curtail this happiness!””
Squeal Like a Pig—Custodial Violence in Tamil Cinema
“The subject of this essay is custodial violence in Tamil cinema, films produced in the southern Indian state of Tamil Nadu, where over a hundred custodial deaths were recorded in the past two decades without a single conviction.”
A Sculpture of Ashes—Liner Notes On A Modern, Cinephilic Tragedy
” When I boarded the Nellai Express early in the morning of 16 June 2019 to journey from Neyveli to Chennai along the eastern stitch of the Indian peninsula, I was only marginally surprised to find a thick diary, of the corner-stationery variety, lying atop the brief table next to my berth. Someone had also left behind a half-eaten packet of salted almonds.”
“Are You Waving The Flag At Me?”—Sly and Prurient Americans at the Berlinale
Ruairí McCann looks back at two distinctly American titles from this year’s Berlinale, one new and one old.
A lecture by Gregory Markopoulos delivered at Kent State University, June 30, 1968
The following text originally appeared in the Whitney Museum of American Art book, Gregory J. Markopoulos: Mythic Themes, Portraiture, and Films of Place (1996).
Red, a Jodie Mack tribute
In February 2011, Jodie Mack’s Rad Plaid was shown at Anthology Film Archives while two groups from the audience shouted “plaid” every time they saw vertical or horizontal lines on screen.
Ann Hui
“Hui is too versatile and too prolific to be pinned down, labeled, or marketed but too prominent to be “discovered.””