Corn captures a static, but never contained view of an ordinary moment in the kitchen, accounting for the ways in which evening sunlight falls into the room and emanating vapor textures the air. Continue reading The Raw and the Cooked: Larry Gottheim’s ‘Corn’ (1970)
by Luise Mörke “I could introduce you to people… interesting people,” Ed Hood’s character in My Hustler (1965) promises the object of his desire (Paul America) in exchange for continuing their transactional relationship. The people Ed is referring to likely stem from his upper class circles. We can imagine that he will take Paul to lavish soirées and swanky parties, where one basks in the … Continue reading Vested Interest – ‘My Hustler’
The destruction of a building: more important than the brief moment of the blast are the hours leading up to the detonation. Continue reading The Awkward Altbau – Urban Structures and Dreams of the Future in Konrad Wolf’s ‘Solo Sunny’ (1980)
Happy International Women’s Day Continue reading Compilation: Women’s Day 2021
Corita Kent – artist, nun, activist – flaunted her own interpretation of holiness by artfully expressing her love for the most common of things. Continue reading Corita Kent
Hello and welcome to the first-ever crossover episode between Ultra Dogme and Cinema Year Zero. Continue reading Compilation: Dogme Year Zero
In early October, an email reached me. ‘Comrades of the Kino’, the first line addressed its recipients. Continue reading Dogme Year Zero: Topographies of Adolescence
