Editor’s Note: Welcome to the fourteenth program of our Virtual Film Festival, which offers a weekly watching schedule of moving image works available for free streaming. Previous programs […]
UDVFF 13: Disappearances + Intonations
A collection of shorts and features whose curation was loosely inspired by two books (Hong Kong: Culture and the Politics of Disappearance by Ackbar Abbas and Intonations: A Social History of Music and Nation in Luanda, Angola, from 1945 to Recent Times by Marissa Moorman) and a couple of projects I’m working on. The state of the world and that great gift of free association also played their parts.
“At Ease with Including Your Doubt” – An Interview with Lynne Sachs
During quarantine, Tijana Perovic spoke with Lynne Sachs about her ongoing practice, connections to various legendary filmmakers, and
Announcement: (Virtual) Artist-in-Residence, Jake Jacobs
As our first ever artist-in-residence, Jacob Harrison Jones (Jake Jacobs) was supposed to be in Berlin for the month of July this year. Since life had other plans, […]
UDVFF 12: Cityscapes
Editor’s Note: Welcome to the twelfth program of our Virtual Film Festival, which offers a weekly watching schedule of moving image works available for free streaming. Previous programs […]
UDVFF 11: Agitated Meditation
Editor’s Note: Welcome to the eleventh program of our Virtual Film Festival, which offers a weekly watching schedule of moving image works available for free streaming. Previous programs […]
UDVFF 10: “I never died,” says he.
Editor’s Note: Welcome to the tenth program of our Virtual Film Festival, which offers a weekly watching schedule of moving image works available for free streaming. Previous programs […]
UDVFF 8: “This is your home, you’re part of everything”
This week we are happy to share links to three nearly-feature-length titles made available by FRACTO and Anthology Film Archives.
DVD Review: ‘Das Goldene Tor’ by Jürgen Reble (Re:Voir video)
by MLP I was completely unaware, prior to watching Das Goldene Tor (1992) (‘The Golden Gate’), that I had actually seen work by Jürgen Reble before, albeit as […]