by Tijana Perovic, edited by Maximilien Luc Proctor Berlinale 2019 would have been a huge success for me as a viewer, had it only screened Ne croyez surtout […]
“Context is still important.” An Interview with Bill Morrison
written by Maximilien Luc Proctor, edited by Martin Bremer Wilting, bending, fraying, the edges of the frame dance. Brimming with signs of decay and the promise of a […]
Announcement: + The Ultra Dogme Manifesto +
To go along with the new domain name, we have just published our manifesto.
A Music List for 2018
After the success of last year’s ‘5 Noteworthy Rock Albums of 2017,’ I’ve decided to stay the course by altering the format with a surprise ‘best of’ list […]
New Sounds + Images: ‘Ave Cantora’ + ‘A Kinder & Gentler Nation’
watch and listen to new music
Pop Kultur 2018: An Interview with Daníel Böðvarsson (of Pranke)
Like last year, I visited the 2018 edition of Berlin’s Pop-Kultur festival. My personal favorite discovery was far and away the Berlin-based prog-math-indie band Pranke (the German word […]
TROUT FUN #4: Tijana Perovic on ‘Hi, Mom!’ (1970, dir. Brian De Palma)
A brief journey through the wild world of De Palma’s take on a style akin to the French New Wave.
“I Don’t Know Why.” An Interview with Jeff Rosenstock
Jeff Rosenstock has been making music since 1995. After years spent in a band called The Arrogant Sons of Bitches, 2004 saw the formation of another band, Bomb […]
An Interview with Felix Rodriguez (of Open/Honest)
Under the moniker Open/Honest, Felix Rodriguez makes music which soothes the soul while unafraid to look at troublesome emotions, albeit wordlessly. The first EP to blossom out of […]
“The Conversation Goes Where It Goes”: An Interview with Yoni Wolf (of WHY?)
The first time I saw WHY? was on their tour supporting Mumps, etc. in 2012. It was the night before I left for Germany to do a year of […]