Sam Warren Miell on Mary Helena Clark’s early work and the challenges of her disarmingly metonymic cinema.
Run Towards the Screen, or Reality’s Return: An Interview with Koji Enokido on Shinji Somai
Ed McCarry interviews Koji Enokido, a close collaborator of Shinji Somai, prior to the theatrical release of Typhoon Club.
Deciphering Death: An Interview with Kateryna Gornostai
by Sofie Topi The Sarajevo Film Festival has built a tradition of picking up strong upcoming voices from South-East Europe and providing a solid network for promising talents […]
Tokyo Melody: An Interview with Elizabeth Lennard
by Nel Dahl A rare 16mm print of Elizabeth Lennard’s Tokyo Melody: A Film About Ryuichi Sakamoto (1984) has been unearthed from the filmmaker’s basement for a sold-out […]
Dancing Towards Oblivion – The Cinema of Teo Hernández
“I was thinking about the movement of my films that seem to shake in a dream linked to the movements of oblivion: it is an agitated, hallucinated movement, a relentless swing… The shaken film emerges from these bruises: from a confrontation between the filmmaker and oblivion. The theme of my films is oblivion, which is why it is inexpressible.” – Teo Hernández
Naked as the Silence Between Words: On Maryam Tafakory’s ‘Nazarbazi’
Playing with a film history fraught with codes and tensions, Tafakory presents techniques that both conceal and illuminate, prohibit and point towards the forbidden in the same gesture. It is within this strange tension that the erotic emerges.
MédeCiné: A Profile of François Crémieux
A look at the ways a man of medicine has intersected with cinema history, from starring in Chris Marker’s ‘Blue Helmet’ (1995) to coordinating with Lucien Castaing-Taylor and Véréna Paravel to grant them access to the hospitals where ‘De Humani Corporis Fabrica’ (2022) was filmed.
Gold, Blue and Lilac: The Films of Zineb Sedira
Shasha Movies, an independent streaming service for South-West Asian and North African cinema, presents the first complete retrospective of French-Algerian artist Zineb Sedira, whose filmography spans three decades and the breadth of the Mediterranean.
“Joy in the Small”—An Interview with Blanca García
by Maximilien Luc Proctorwith editorial assistance from phili c. For the occasion of Revista Lumière’s upcoming NYC program (May 13 & 14th)—Colección Privada: The Super 8 and 16mm […]
Colección Privada: The Super 8 and 16mm Scene in Spain
by Lucía Salas We’re proud to present this piece in both English and Spanish, translated by the author. When studying the history of film, we start with its […]