“There is magic to be found in everything” – Looking at films by Nathaniel Dorsky

Nathaniel Dorsky began making films in the 1960s, and worked for many years as an editor on various commercial film projects which had nothing to do with his personal interests as an artist. For him, there is a strict separation between a film made for money and a film made personally. Continue reading “There is magic to be found in everything” – Looking at films by Nathaniel Dorsky

Women’s Day: “Stuck on this bridge of friendship” – An Interview with Ivana Mladenović

Woche der Kritik 2020 endowed us with an opportunity to dive back into the summer of 2017, through the lens (both retinal and camera) of Ivana, the Terrible. Ivana, the Terrible, flavorful as it is, is only a snippet of the broad world of Ivana Mladenović. Continue reading Women’s Day: “Stuck on this bridge of friendship” – An Interview with Ivana Mladenović

Women’s Day: The War is Never Over – Transcendental Darklands of Lydia Lunch and Louise Bourque

At the recent French premiere of the documentary film The War is Never Over (2019, dir. Beth B), iconic No wave queen Lydia Lunch – whose tumultuous life and career are the subject of the film – described her constant struggle with childhood trauma as the creative force behind her long-lasting career as an artist, which now stretches over four decades. Continue reading Women’s Day: The War is Never Over – Transcendental Darklands of Lydia Lunch and Louise Bourque