UDVFF 13: Disappearances + Intonations

A collection of shorts and features whose curation was loosely inspired by two books (Hong Kong: Culture and the Politics of Disappearance by Ackbar Abbas and Intonations: A Social History of Music and Nation in Luanda, Angola, from 1945 to Recent Times by Marissa Moorman) and a couple of projects I’m working on. The state of the world and that great gift of free association also played their parts. Continue reading UDVFF 13: Disappearances + Intonations

UDVFF 11: Agitated Meditation

Editor’s Note: Welcome to the eleventh program of our Virtual Film Festival, which offers a weekly watching schedule of moving image works available for free streaming. Previous programs can be found here.If you enjoy this week’s program, please support Ultra Dogme on Patreon, Ko-fi, or Substack, so that we may continue to publish writing about film + music with love + care: Special thanks to … Continue reading UDVFF 11: Agitated Meditation

Revolutionizing Festivals – Notes on the First Virtual Ann Arbor Film Festival

If somebody had told me that my first experience of Ann Arbor Film Festival would happen during one of the worst pandemics in recent human history, while I was locked down in the Parisian periphery, I would have seriously reconsidered this person’s mental condition. Continue reading Revolutionizing Festivals – Notes on the First Virtual Ann Arbor Film Festival

“There is magic to be found in everything” – Looking at films by Nathaniel Dorsky

Nathaniel Dorsky began making films in the 1960s, and worked for many years as an editor on various commercial film projects which had nothing to do with his personal interests as an artist. For him, there is a strict separation between a film made for money and a film made personally. Continue reading “There is magic to be found in everything” – Looking at films by Nathaniel Dorsky