by Maximilien Luc Proctorwith editorial assistance from phili c. For the occasion of Revista Lumière’s upcoming NYC program (May 13 & 14th)—Colección Privada: The Super 8 and 16mm […]
Colección Privada: The Super 8 and 16mm Scene in Spain
by Lucía Salas We’re proud to present this piece in both English and Spanish, translated by the author. When studying the history of film, we start with its […]
Movie Club #3: ‘Darkness, Darkness, Burning Bright’ (2022) by Gaëlle Rouard
Starting today, April 14th, Darkness, Darkness, Burning Bright is available to stream for Ultra Dogme’s Movie Club subscribers for two weeks, through April 28th. 50% of the income […]
Translation: Raymond Bellour on ‘Flo Rounds a Corner’ (1999)
Christian Flemm translates Raymond Bellour’s 2006 article on ‘Flo Rounds a Corner’.
Oil and Water: Three Films by Nikos Nikolaidis
by Dylan Adamson At about the half hour mark of Nikos Nikolaidis’ Morning Patrol (1987), the unnamed lead character wanders into an empty movie theater, drawn by the […]
In and Out Front of You: An Interview with Tenzin Phuntsog
A.E. Hunt speaks with artist Tenzin Phuntsog about his works at the Berlinale Forum Expanded, showing through March 5th.
The Raw and the Cooked: Larry Gottheim’s ‘Corn’ (1970)
Corn captures a static, but never contained view of an ordinary moment in the kitchen, accounting for the ways in which evening sunlight falls into the room and emanating vapor textures the air.
Around The World in 14 Films: ‘When The Waves Are Gone’, ‘EO’ and ‘Trenque Lauquen’
by Florian Weigl One way to test the cinephile mettle of a country is to go to its most prominent festival of festivals. Canada and Toronto have TIFF, […]
“10 Years Down the Drain”—Glocca Morra’s ‘Just Married’ (2012)
An appreciation of Glocca Morra’s album ‘Just Married’, for its 10-year anniversary