Translation: Raymond Bellour on ‘Flo Rounds a Corner’ (1999)
Christian Flemm translates Raymond Bellour’s 2006 article on ‘Flo Rounds a Corner’. Continue reading Translation: Raymond Bellour on ‘Flo Rounds a Corner’ (1999)
Christian Flemm translates Raymond Bellour’s 2006 article on ‘Flo Rounds a Corner’. Continue reading Translation: Raymond Bellour on ‘Flo Rounds a Corner’ (1999)
Happy International Women’s Day! Continue reading International Women’s Day 2023
by Laia Nadal I often think about films that, as Susan Sontang would say, are a vast repository of images that make it difficult for us to forget. They haunt us, and state outright: “This is what human beings are capable of doing”. Works that empower people to speak up about their experiences, like Jennifer Montgomery’s Home Avenue, come to mind—perhaps because I have been … Continue reading Fox Maxy: Framing the Land
by Liam Kenny It was during Light Industry’s showing of William Wellman’s Good-bye, My Lady that I first saw Gina Telaroli take a picture of a cinema screen with her iPhone. I was flooded with ideas: what can be learned from pictures of the silver screen? With the technology to take photos in theaters without a long exposure, the projected image can be reimagined and … Continue reading Gina Telaroli: Reimaging
A.E. Hunt speaks with artist Tenzin Phuntsog about his works at the Berlinale Forum Expanded, showing through March 5th. Continue reading In and Out Front of You: An Interview with Tenzin Phuntsog
Corn captures a static, but never contained view of an ordinary moment in the kitchen, accounting for the ways in which evening sunlight falls into the room and emanating vapor textures the air. Continue reading The Raw and the Cooked: Larry Gottheim’s ‘Corn’ (1970)
Cinematic films and performance documentation have often been separated categorically. Yet, Carolee Schneemann’s films push against these distinctions, whether by painting with her camera or mirroring back moments in time. Continue reading Carolee Schneemann at Spectacle
A 10-day streaming program of three films by Esther Shatavsky, alongside the first major interview with the filmmaker. Continue reading Nursery Rhymes: Three Films by Esther Shatavsky
Hole in the Head, the new feature from Dean Kavanagh, is a wonderfully labile rendition of cinematic obsession as a simultaneously profound, absurd, deracinating, and visceral experience. Continue reading Ghost in the Machine: ‘Hole in the Head’ (2022)
“Looking at Medina’s earliest work, specifically Semi-auto colours and Time is a sun (2012) reveals much of his ambitious form and preoccupations already set in motion.” Continue reading Cinema is an Open String: Two Early Shorts by Isiah Medina