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Film interview

“Don’t Fence Me In”: A Conversation with Larry Gottheim and Forrest Sprague

Posted on: May 27, 2025May 27, 2025
essay Film

Do These Images Give Voice?: Machete Gillette…Mama (1989)

Posted on: May 22, 2025May 22, 2025
essay Film

Archival Surprises: On the Re-Emergence of ‘Nujum an-Nahar’ in Film Historiography

Posted on: May 20, 2025June 2, 2025
Digital Zine Film

Intervals of Light & Darkness: A Collection of New & Selected Texts on the Cinema of Larry Gottheim

Posted on: May 14, 2025May 14, 2025
essay Festival Coverage Film Light Field

Kaleidoscopes of Solidarity: Light Field 2025

Posted on: April 30, 2025May 2, 2025
Women’s Day: Adèle Haenel stands up and leaves
art / Film / Women's Day 2020

Women’s Day: Adèle Haenel stands up and leaves

Posted on: March 8, 2020

Thoughts on this year’s César awards

Women’s Day: CLARICE, CLARICE
Women's Day 2020

Women’s Day: CLARICE, CLARICE

Posted on: March 8, 2020

Poetry tribute to writer Clarice Lispector

Women’s Day: Could there be holes that even the kindness of cats can’t fill? – Naoko Ogigami’s ‘Rent-a-cat’ (2012) and compassionate improbabilities
Film / Reviews / Women's Day 2020

Women’s Day: Could there be holes that even the kindness of cats can’t fill? – Naoko Ogigami’s ‘Rent-a-cat’ (2012) and compassionate improbabilities

Posted on: March 8, 2020

“Feeling lonely? I’ll lend you a cat.”

Women’s Day: “Mom, I failed, I’m coming home” – On music, loneliness, immigration, and Mitski
art / Music / Women's Day 2020

Women’s Day: “Mom, I failed, I’m coming home” – On music, loneliness, immigration, and Mitski

Posted on: March 8, 2020

Žarko Urošević walks us through the perfect encapsulations of struggle, fear, failings, and humanity that make up the music of Mitski.

Women’s Day: ‘La Chambre’ (1972) by Chantal Akerman
art / Film / Reviews / Women's Day 2020

Women’s Day: ‘La Chambre’ (1972) by Chantal Akerman

Posted on: March 8, 2020

A 16mm camera moves slowly across a sun-filled one-room apartment from the not-too-distant past. The colors are vibrant, we see a bright red velvet chair against a light-worn wooden wall. Breakfast is laid out on a circular table, half-finished and enticing.

Women’s Day: Three thoughts on Ute Aurand
art / Film / Women's Day 2020

Women’s Day: Three thoughts on Ute Aurand

Posted on: March 8, 2020

Three thoughts offered on 16mm works by German experimental filmmaker Ute Aurand.

Women’s Day: The Limits of Intimacy and Language in the Genealogical Cinema Of Sofia Bohdanowicz
Film / Reviews / Women's Day 2020

Women’s Day: The Limits of Intimacy and Language in the Genealogical Cinema Of Sofia Bohdanowicz

Posted on: March 8, 2020

Over the course of three features, several shorts and an amalgamation of fiction and non-fiction, Canadian filmmaker Sofia Bohdanowicz has deepened her expression of how family wields a powerful and complex influence over an individual’s sense of self.

Compilation: International Women’s Day 2020
art / Film / interview / Music / poetry / Reviews / Video / Women's Day 2020

Compilation: International Women’s Day 2020

Posted on: March 8, 2020

Join us in celebrating women artists of the world!

Women’s Day: Ring Around
Festival Coverage / Film / Woche der Kritik 2020 / Women's Day 2020

Women’s Day: Ring Around

Posted on: March 8, 2020

by Yoana Pavlova Yoana Pavlova is a Bulgarian writer, researcher, and programmer, currently based in Paris. Founding editor of Festivalists.com, with bylines for various outlets in English and French, […]

Women’s Day: Perfect, Imperfect Endings – On Barbara Loden’s ‘Wanda’ (1970)
Film / Reviews / Women's Day 2020

Women’s Day: Perfect, Imperfect Endings – On Barbara Loden’s ‘Wanda’ (1970)

Posted on: March 8, 2020

by Patrick Preziosi Art can be inherently political, but demanding didactic manifestations of intent and closed-circuit endpoints is anything but–– the most piercingly conscious works eschew such politeness […]

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