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International Women’s Day 2022
art / compilation / Film / Reviews / Video / Women's Day 2022

International Women’s Day 2022

Posted on: March 8, 2022

Happy International Women’s Day!

Red, a Jodie Mack tribute
art / Film / Video / Women's Day 2022

Red, a Jodie Mack tribute

Posted on: March 8, 2022

In February 2011, Jodie Mack’s Rad Plaid was shown at Anthology Film Archives while two groups from the audience shouted “plaid” every time they saw vertical or horizontal lines on screen.

LaToya Ruby Frazier’s ‘The Notion of Family’ (2001-2014)
art / Women's Day 2022

LaToya Ruby Frazier’s ‘The Notion of Family’ (2001-2014)

Posted on: March 8, 2022

The camera’s capacity to act against the intractable march of time, the “slow deterioration” of Frazier’s family and town, is enabled in large part by her method of working, through the years-long, collaborative relationships Frazier establishes with her photographic subjects.

Ann Hui
Film / Women's Day 2022

Ann Hui

Posted on: March 8, 2022

“Hui is too versatile and too prolific to be pinned down, labeled, or marketed but too prominent to be “discovered.””

‘Autumn Rush for Kurt Kren and Winter and Spring and Summer’ (2003) dir. Anna Thew
Film / Women's Day 2022

‘Autumn Rush for Kurt Kren and Winter and Spring and Summer’ (2003) dir. Anna Thew

Posted on: March 8, 2022

A short appreciation of Anna Thew’s bifurcated film of the seasons, ‘Autumn Rush for Kurt Kren and Winter and Spring and Summer’

Caught Between Two Worlds—A Scene Analysis of ‘Surname Viet Given Name Nam’ (Trinh T. Minh-Ha, 1989)
Film / Women's Day 2022

Caught Between Two Worlds—A Scene Analysis of ‘Surname Viet Given Name Nam’ (Trinh T. Minh-Ha, 1989)

Posted on: March 8, 2022

How do I make a documentary that dispels the relevance of the term ‘documentary’? This is a question that seems to pulse through Trinh T. Minh-Ha’s work, most notably in her seminal film Surname Viet Given Name Nam (1989).

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