For this program, I wanted to consider the medium of transmission. For quite some time, many of us have been experiencing 16mm and 35mm films (as well as digital videos) as digital files, DVDs, or as bits of streaming information…
Berlinale 2020: “Maybe a Singular Mountain is a Feeling,” An Interview with Pushpendra Singh
by MLP As the festival came to a close, and my viewing-energy dwindled, my dear friend Anuj wrote me one evening to ask if I would be interested […]
UDVFF 2: Comparmentalized Collapse
In these strange, scary and all around unprecedented times, there’s a considerable fret to find the most “relevant” film to best encapsulate what feels like a consistently devolving, worldwide health crisis.
The Ultra Dogme Virtual Film Festival 1: From a Distance
Welcome to the first Ultra Dogme Virtual Film Festival. We are excited to be trying something new.
Announcement: Ultra Dogme’s First Virtual Film Festival
We’re starting a virtual film festival this Saturday, March 21st.
Women’s Day: “Stuck On This Bridge of Friendship” – An Interview with Ivana Mladenović
Woche der Kritik 2020 endowed us with an opportunity to dive back into the summer of 2017, through the lens (both retinal and camera) of Ivana, the Terrible. Ivana, the Terrible, flavorful as it is, is only a snippet of the broad world of Ivana Mladenović.
Women’s Day: Danièle Huillet – A Moral Artist
Arta Barzanji selects a brief excerpt from ‘Introduction to Arnold Schoenberg’s Accompaniment to a Cinematic Scene’ as a tribute to Danièle Huillet.
Women’s Day: The War is Never Over – Transcendental Darklands of Lydia Lunch and Louise Bourque
At the recent French premiere of the documentary film The War is Never Over (2019, dir. Beth B), iconic No wave queen Lydia Lunch – whose tumultuous life and career are the subject of the film – described her constant struggle with childhood trauma as the creative force behind her long-lasting career as an artist, which now stretches over four decades.
Women’s Day: Could there be holes that even the kindness of cats can’t fill? – Naoko Ogigami’s ‘Rent-a-cat’ (2012) and compassionate improbabilities
“Feeling lonely? I’ll lend you a cat.”