The last movie I saw screened theatrically was Alfred Hitchcock’s Shadow of a Doubt, on a 35mm print, March 9th, at New York City’s Film Forum.
Dogme Year Zero: The Filmmaker’s Co-op
by paul a. Since the start of November, I’ve been part of a special film club of sorts: one hosted weekly at the Filmmakers Co-op in New York, […]
Dogme Year Zero: Microphones in 2020
by Ruairí McCann Knowing no one understands these songs,I try to sing them clearer.Even though no one has ever asked:”What does Mount Eerie mean?”I have tried to repeatedly […]
Dogme Year Zero: Topographies of Adolescence
In early October, an email reached me. ‘Comrades of the Kino’, the first line addressed its recipients.
Film Books Round-up #1
Welcome to the first-ever Ultra Dogme ‘Film Books Round-up’. What I’ve assembled here is a short list of 5 film-focused print publications that I investigated this year and […]
Announcement: UDVFF Special Screening #1
Hello! Tomorrow (Saturday December 12th), we are hosting a UDVFF special screening on youtube.It will premiere at 8:15pm Central European Time and remain available to stream for 24 […]
The Best Experimental Moving Image Works of 2020
by paul a. It was Ken Jacobs who once floated the observation that “the avant-garde never starts on time,” but as the global events of 2020 began (and […]
‘Secession From The Broadcast’ by Gene Youngblood
Today we are very excited to share with you the full PDF of a lecture by renowned theorist Gene Youngblood. Titled Secession From The Broadcast, it was first […]
The Value of Intimacy – ‘Divine Love’ and the corporeal cinema of Gabriel Mascaro
by Alonso Aguilar In the oppressive temperatures of rural Brazil, bodies traverse the screen unceremoniously. Detached and absent-minded, different characters go through the motions of hard labor, unfazed […]
Blu Review: ‘Goodbye, Dragon Inn’ (2003) dir. Tsai Ming-liang (Second Run)
by Ruairí McCann In a Taipei caught under a thick canopy of rain, an old late night movie theatre serves as a symbolic shelter. It is the last […]