by Olivia Hunter Willke On my way home from the first program of the all-analog avant-garde film festival organized by the Chicago Film Society, Celluloid Now, I received the call that my grandmother was dying. The next evening, as I sat watching the beautiful 35mm program unfold, my grandmother was read her last rights and I was confronted by the film III. (2022) by Alexandre … Continue reading Celluloid Now, More Than Ever
“I was thinking about the movement of my films that seem to shake in a dream linked to the movements of oblivion: it is an agitated, hallucinated movement, a relentless swing… The shaken film emerges from these bruises: from a confrontation between the filmmaker and oblivion. The theme of my films is oblivion, which is why it is inexpressible.” – Teo Hernández Continue reading Dancing Towards Oblivion – The Cinema of Teo Hernández
by Maximilien Luc Proctorwith editorial assistance from phili c. For the occasion of Revista Lumière’s upcoming NYC program (May 13 & 14th)—Colección Privada: The Super 8 and 16mm Scene in Spain—Ultra Dogme presents an interivew with featured filmmaker Blanca García, preceded by an introduction borrowed from our recent Movie Club streaming program, ‘Three Films by Blanca García’. The films of Blanca García are deeply invested … Continue reading “Joy in the Small”—An Interview with Blanca García
Tune in for a live-stream of our third special UDVFF program this Friday, February 4th at 8pm Berlin Time (Central European Time). It will remain online for 48 hours. Continue reading UDVFF Special Stream #3: Coming Into Focus
