Olivia Hunter Willke on the gilded and star-studded digital afterlife of Michael Robinson’s These Hammers Don’t Hurt Us (2010)
AInfection: Generative Artificial Intelligence Infiltrates the Avant-Garde
Olivia Hunter Willke scrutinizes the unlabeled inclusion of generative AI pieces in this year’s Onion City and Ann Arbor experimental film festivals.
Celluloid Now, More Than Ever
Olivia Hunter Willke surveys this year’s CELLULOID NOW, an all-analog “community-centered and artist-forward” film series in Chicago.
