Drawing from Stan Brakhage’s notion of the ‘meat-ineffable’, Liam Kenny writes on Fred Camper’s ongoing Interactions series and its intricate, quotidian webs of perception.
Gina Telaroli: Reimaging
by Liam Kenny It was during Light Industry’s showing of William Wellman’s Good-bye, My Lady that I first saw Gina Telaroli take a picture of a cinema screen […]
3 Songs That Got Us Through 2022
Submissions are presented in the order they were received. Click here to see last year’s songs. Yoana Pavlova Nakhane – “Do You Well” (feat. Perfume Genius) Panda Bear & […]
Prismatic Ground 2022: Select Films of Love and Memory
“Both editions of Prismatic Ground have done well in being an inviting festival space for submitting filmmakers, and in turn this allows for the wide array of programming that necessitates the “wave” format. Online and cinematic presentation together means that while enjoyment of this festival will continue worldwide, presentations on projected film prints will become its newest element, intertwining the global availability of the internet and the togetherness of film screenings for those able to attend.”