Christian Flemm translates a Cahiers du Cinema interview with Robert Kramer on the occasion of the filmmaker’s birthday.
“New York Our Time”—An Interview with Vivienne Dick
Ruairí McCann interviews Irish feminist experimental filmmaker Vivienne Dick about her life’s work.
“A Pirate of Sounds” — An interview with Félix Blume
The works of sound artist and nonfiction filmmaker Félix Blume deal with the interpretative possibilities of aural narratives. From installation sound-pieces built around Thailand’s shoreline, to album releases focusing on Haiti’s funerary traditions, his artistic output always serves as an extension of a wider multimedia project built around sonic tradition.
“The Connective Tissue is the Thing That Disconnects” — An Interview with Charlie Shackleton
In Charlie Shackleton’s artistic approach, truth and fiction are never truly opposed but their continuous interaction is what fuels an innate curiosity.
“The world is not a solid, intractable thing” — An Interview with Jerome Hiler
by Maximilien Luc Proctor I recently had the indelible pleasure of traveling to Frankfurt for a brand new festival called exf f. (Experimental film days Frankfurt). I had […]
Diary: Fondly Remembering Festivals
Rounding up a well-overdue collection of memories from this year’s IFFR, Berlinale, and online festivals.
“At Ease with Including Your Doubt” – An Interview with Lynne Sachs
During quarantine, Tijana Perovic spoke with Lynne Sachs about her ongoing practice, connections to various legendary filmmakers, and
Women’s Day: “Stuck On This Bridge of Friendship” – An Interview with Ivana Mladenović
Woche der Kritik 2020 endowed us with an opportunity to dive back into the summer of 2017, through the lens (both retinal and camera) of Ivana, the Terrible. Ivana, the Terrible, flavorful as it is, is only a snippet of the broad world of Ivana Mladenović.
An Interview with a Band Called Blessed
A few questions with Canada’s brilliant and bizarre rock outfit.
“Context is still important.” An Interview with Bill Morrison
written by Maximilien Luc Proctor, edited by Martin Bremer Wilting, bending, fraying, the edges of the frame dance. Brimming with signs of decay and the promise of a […]