During quarantine, Tijana Perovic spoke with Lynne Sachs about her ongoing practice, connections to various legendary filmmakers, and Continue reading “At Ease with Including Your Doubt” – An Interview with Lynne Sachs
Woche der Kritik 2020 endowed us with an opportunity to dive back into the summer of 2017, through the lens (both retinal and camera) of Ivana, the Terrible. Ivana, the Terrible, flavorful as it is, is only a snippet of the broad world of Ivana Mladenović. Continue reading Women’s Day: “Stuck on this bridge of friendship” – An Interview with Ivana Mladenović
A few questions with Canada’s brilliant and bizarre rock outfit. Continue reading An Interview with a band called Blessed
written by Maximilien Luc Proctor, edited by Martin Bremer Wilting, bending, fraying, the edges of the frame dance. Brimming with signs of decay and the promise of a new life, the films of Bill Morrison turn remnants into relics, cultivating fragments of forgotten material to assemble pieces which both resist and celebrate death. His are films all about that ever-elusive sense of purpose many of … Continue reading “Context is still important.” An Interview with Bill Morrison
Like last year, I visited the 2018 edition of Berlin’s Pop-Kultur festival. My personal favorite discovery was far and away the Berlin-based prog-math-indie band Pranke (the German word for ‘paw’). Pranke bring repetitions in the style of Conveyor or Preoccupations together with the spastic rhythms of Hella, smooth grooves of White Denim, and explosive sax a la Tera Melos. The two-piece band crammed more sound … Continue reading Pop Kultur 2018: An Interview with Daníel Böðvarsson (of Pranke)
Jeff Rosenstock has been making music since 1995. After years spent in a band called The Arrogant Sons of Bitches, 2004 saw the formation of another band, Bomb the Music Industry! In 2006 he founded the first donation-based record label, Quote Unquote Records. A full year before Radiohead’s famous pay-what-you-want release of In Rainbows, Rosenstock was giving away plenty of albums for free while trusting enough … Continue reading “I don’t know why.” An Interview with Jeff Rosenstock
Under the moniker Open/Honest, Felix Rodriguez makes music which soothes the soul while unafraid to look at troublesome emotions, albeit wordlessly. The first EP to blossom out of the project dropped last month, and it’s the perfect soundtrack for your morning coffee or nightly existential quandaries. An astoundingly quick turnaround saw Rodriguez get right back to recording, and just over a month later, he’s released Overhang. … Continue reading An Interview with Felix Rodriguez (of Open/Honest)
The first time I saw WHY? was on their tour supporting Mumps, etc. in 2012. It was the night before I left for Germany to do a year of study abroad. I only knew a handful of songs and as such had failed to purchase a ticket in advance. A friend of ours who’d been listening to WHY? for a while did not make the same … Continue reading “The conversation goes where it goes”: An Interview with Yoni Wolf (of WHY?)
“The lyrics to ‘Trash Generator’ are somewhat about being bogged down by digital bullshit; the digital wasteland of your phone, computers, technology… I think it was probably a subconscious reaction to just the world now.” Continue reading An Interview with Nick Reinhart (of Tera Melos)
Dead Rider is back with their first album since 2014’s excellent Chills on Glass, the atmospheric hard-rocking Crew Licks. The band is fronted by Todd Rittmann, from whom their name is also derived; Tod is German for ‘dead’ while Rittmann is roughly ‘rider’ (literally ‘ride-man’). I first met Todd when my band was lucky enough to play a show together with Dead Rider in 2011. With the release of Crew Licks, I … Continue reading An Interview with Todd Rittmann (Dead Rider)
