A 2-week streaming program of five films by Ellie Epp, alongside an essay by Sophia Satchell-Baeza.
Nursery Rhymes: Three Films by Esther Shatavsky
A 10-day streaming program of three films by Esther Shatavsky, alongside the first major interview with the filmmaker.
UDVFF Special Stream #3: Coming Into Focus
Tune in for a live-stream of our third special UDVFF program this Friday, February 4th at 8pm Berlin Time (Central European Time). It will remain online for 48 hours.
The Best Experimental Moving Image Works of 2020
by paul a. It was Ken Jacobs who once floated the observation that “the avant-garde never starts on time,” but as the global events of 2020 began (and […]
Revolutionizing Festivals – Notes on the First Virtual Ann Arbor Film Festival
If somebody had told me that my first experience of Ann Arbor Film Festival would happen during one of the worst pandemics in recent human history, while I was locked down in the Parisian periphery, I would have seriously reconsidered this person’s mental condition.
UDVFF 4: In Proximity
You and I have (hopefully) spent the past few weeks at a home, in isolation, away from noise and crowds. In this isolation, one inevitably bumps into oneself.
“There is magic to be found in everything” – Looking at films by Nathaniel Dorsky
Nathaniel Dorsky began making films in the 1960s, and worked for many years as an editor on various commercial film projects which had nothing to do with his personal interests as an artist. For him, there is a strict separation between a film made for money and a film made personally.