Women in Revolt is the kind of glorious filth they just don’t — or is it can’t? — make any more.
Vested Interest – ‘My Hustler’
by Luise Mörke “I could introduce you to people… interesting people,” Ed Hood’s character in My Hustler (1965) promises the object of his desire (Paul America) in exchange […]
‘Vinyl’
by Will Sloan It’s cliché to observe that Andy Warhol’s filmography resembles the evolution of cinema itself. Warhol begins, as did Edison and Lumière, with silent films that […]
Riding Lonesome – ‘Lonesome Cowboys’
by Caden Mark Gardner Lonesome Cowboys was shot in the Arizona winter of 1968, a year before Easy Rider became the counterculture crossover hit to polarize America, months […]
Warhol and Morrissey’s Horror Double Feature – ‘Flesh for Frankenstein’ and ‘Blood for Dracula’
by Nel Dahl Low-budget horror cinema’s potential to unexpectedly reverse its initially mixed reception is epitomized by the strange afterlife of Paul Morrissey’s Andy Warhol-produced double feature, Flesh […]
Red Sauce and Sugar Blues – ‘Andy Warhol Eats a Hamburger’
by Tobias Rosen In March, during the most stringent period of Germany’s lockdown, my partner decided to visit her parents for a week and leave me in our […]
‘Kiss’
by Ruairí McCann The kiss, that flashpoint of intimacy, communication, and the present tense, has been the subject of art since its prehistory. In Andy Warhol’s Kiss (1963-64), […]
Edie and Andy – ‘Poor Little Rich Girl’ and ‘Beauty No. 2’
To tell Andy’s story, you must also tell the story of Andy’s women: beautiful, fashionable, often tragic, and Edie Sedgwick crucial among them.