Coinciding with this month’s Movie Club screening of Nour Ouayda’s THE SECRET GARDEN (2023), we present a text on Ouayda’s oeuvre.
Loneliness and Longing: When the Apocalypse is Over
Winnie Wang writes about “When the Apocalypse is Over” — a series of contemporary films from the Philippines opening this February at BAM.
Cinema of the Sun, Moon & Stars: An Interview with Sylvia Schedelbauer
On the occasion of a retrospective at 25 FPS Festival in Zagreb, Ejla Kovačević interviews German-Japanese film artist Sylvia Schedelbauer
3 Songs That Got Us Through 2023
The editors and many of this year’s contributors of Ultra Dogme each give 3 song picks to mark the end of the year.
Negotiating Tenderness: Marija Kavtaradze on ‘Slow’
Director Marija Kavtaradze talks about creating new images of intimacy for her sophomore feature “Slow.”
The Scale of Being: Linnea Nugent’s Haptic, Semi-Handmade Images
An introduction to the work of New York filmmaker Linnea Nugent, streaming Dec 8-22 in the Movie Club.
Stream: ‘3 Films by Alexandre Larose’
Today marks the halfway point for our current Movie Club program: ‘3 Films by Alexandre Larose’, available to stream through November 24th.
A Streaming Guide to Palestinian Cinema
The editors at Ultra Dogme would like to state their continued support for the people of Palestine and condemn the genocide being perpetrated by the state of Israel […]
Mambar Pierrette: All of Cameroon’s Cares on Her Shoulders
Abiba Coulibaly writes about Rosine Mbakam’s first narrative feature film, MAMBAR PIERRETTE.
Spirits Rebel: On Julius-Amédée Laou’s Cinema of Revenants
Ruairí McCann on the films of Julius-Amédée Laou.