Director Marija Kavtaradze talks about creating new images of intimacy for her sophomore feature “Slow.”
“Joy in the Small”—An Interview with Blanca García
by Maximilien Luc Proctorwith editorial assistance from phili c. For the occasion of Revista Lumière’s upcoming NYC program (May 13 & 14th)—Colección Privada: The Super 8 and 16mm […]
In and Out Front of You: An Interview with Tenzin Phuntsog
A.E. Hunt speaks with artist Tenzin Phuntsog about his works at the Berlinale Forum Expanded, showing through March 5th.
Nursery Rhymes: Three Films by Esther Shatavsky
A 10-day streaming program of three films by Esther Shatavsky, alongside the first major interview with the filmmaker.
“New York Our Time”—An Interview with Vivienne Dick
Ruairí McCann interviews Irish feminist experimental filmmaker Vivienne Dick about her life’s work.
“A Pirate of Sounds” — An interview with Félix Blume
The works of sound artist and nonfiction filmmaker Félix Blume deal with the interpretative possibilities of aural narratives. From installation sound-pieces built around Thailand’s shoreline, to album releases focusing on Haiti’s funerary traditions, his artistic output always serves as an extension of a wider multimedia project built around sonic tradition.
“The Connective Tissue is the Thing That Disconnects” — An Interview with Charlie Shackleton
In Charlie Shackleton’s artistic approach, truth and fiction are never truly opposed but their continuous interaction is what fuels an innate curiosity.
“The skeleton of what you’re making” — An Interview with Richard Forbes-Hamilton
In his latest work, (Third Study for) Swedge of Heaven (2020), multi-disciplinary artist Richard Forbes-Hamilton presents us with the precise image of his beat: a digitally animated individual with an oversized yellow whistle for a head – complete with a stoic ‘have a nice day’ smiley for a face – arrhythmically pounding on a drum with glow sticks.
“The world is not a solid, intractable thing” — An Interview with Jerome Hiler
by Maximilien Luc Proctor I recently had the indelible pleasure of traveling to Frankfurt for a brand new festival called exf f. (Experimental film days Frankfurt). I had […]
Cannes 39/90/? — An Interview with Étienne Gaudillère
by Yoana Pavlova If the invention of cinema towards the end of the XIX century is the crowning achievement of man’s attempts to master reality, the XX century […]