Autumn Johnson on Monica Sorelle’s ‘Mountains’, a drama depicting the daily grind, aspirations and community of a Haitian family in a working class Miami under siege by the forces of capital.
Dances with Pyramids: Michael Robinson’s These Hammers Don’t Hurt Us (2010)
Olivia Hunter Willke on the gilded and star-studded digital afterlife of Michael Robinson’s These Hammers Don’t Hurt Us (2010)
Mementos: On Gunvor Nelson’s Family Matters
Ruairí McCann on the late Gunvor Nelson’s cinematic embodiments of the conflicts, complexities and revelations of family life and ageing.
Blasphemy and Freedom: João César Monteiro’s Post-Revolutionary Cinema
Justine Smith dives into the defiant, bacchanalian and melancholy cinema of João César Monteiro.
The Devil’s Rendering: On Jiří Trnka’s Antifascist Visuals
Tyler Thier writes on Jiří Trnka’s antifascist, animated bricolages, placing their subversive tactility in opposition to frictionless and fascist AI imagery.
Redrawing the Map: Alpe-Adria Underground! (2024) and the Unfolding Histories of Slovenian Experimental Cinema
Mariya Nikiforova writes about Alpe-Adria Underground! (2024), an ambitious chronicle of Slovenia experimental cinema. Nikiforova’s essay digs into the challenges of film historiography while giving a detailed overview of this rich and overlooked heritage.
Illusional Civilization: Bahram Beyzaei’s Journey
Faranak Nateghi on the context and poetics of Journey (Safar, 1972), Bahram Beyzaei’s metaphorical portrait of Tehran as a modern city of dazzling surfaces and transparent class inequality and alienation.
Pleasure Principles: Kalil Haddad on “He Never Dies”
Alexander Mooney speaks with Kalil Haddad about the radical queer form and convictions of his 4 film cycle, He Never Dies.
Dossier: Loren Connors
A new dossier of texts about the avant-garde blues of Loren Connors.
“The Act of Creation is Driven by Memory”—An Interview with Filmmaker Vincent Guilbert
Ruairí McCann and Maximilien Luc Proctor speak with Vincent Guilbert about Gestures, his intimate, tactile and allusive portrait of Loren Connors.