Woche der Kritik 2020 endowed us with an opportunity to dive back into the summer of 2017, through the lens (both retinal and camera) of Ivana, the Terrible. Ivana, the Terrible, flavorful as it is, is only a snippet of the broad world of Ivana Mladenović.
Women’s Day: Could there be holes that even the kindness of cats can’t fill? – Naoko Ogigami’s ‘Rent-a-cat’ (2012) and compassionate improbabilities
“Feeling lonely? I’ll lend you a cat.”
Women’s Day: “Mom, I failed, I’m coming home” – On music, loneliness, immigration, and Mitski
Žarko Urošević walks us through the perfect encapsulations of struggle, fear, failings, and humanity that make up the music of Mitski.
Women’s Day: Three thoughts on Ute Aurand
Three thoughts offered on 16mm works by German experimental filmmaker Ute Aurand.
Compilation: International Women’s Day 2020
Join us in celebrating women artists of the world!
Album Review: ‘Circles’ by Mac Miller
When it comes to reevaluating posthumous releases from recently passed rappers these past few years, it’s been best to cede a little more slack than usual to the overall integrity of such projects, given the ever-growing porousness of release guidelines.
Best of the Decade: Film
We asked our contributing writers (as well as a couple of future contributors) to offer up lists of films from the last decade which impacted them in a significant way. While we are presenting these as our ‘best of’ lists, the idea was primarily to show several lists covering a variety of moving image works from the multiplex to the avant-garde, some well-loved, others perhaps under-seen.
Album Review: ‘Phantom Rhythm 幽靈節奏 (幽霊リズム)’ by Gong Gong Gong
by Ruairí McCann [bandcamp width=100% height=120 album=2418831432 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small] There are numerous landmarks set to be struck here on the eve of the 2020s but […]