Nothingtoseeness
Looking back at December’s ‘NothingtoSeeness’ film program at Akademie der Künste in Berlin, including an excerpt from Gregory J. Markopoulos’ ‘Eniaios’ Continue reading Nothingtoseeness
Looking back at December’s ‘NothingtoSeeness’ film program at Akademie der Künste in Berlin, including an excerpt from Gregory J. Markopoulos’ ‘Eniaios’ Continue reading Nothingtoseeness
Happy International Women’s Day! Continue reading International Women’s Day 2022
In February 2011, Jodie Mack’s Rad Plaid was shown at Anthology Film Archives while two groups from the audience shouted “plaid” every time they saw vertical or horizontal lines on screen. Continue reading Red, a Jodie Mack tribute
The camera’s capacity to act against the intractable march of time, the “slow deterioration” of Frazier’s family and town, is enabled in large part by her method of working, through the years-long, collaborative relationships Frazier establishes with her photographic subjects. Continue reading LaToya Ruby Frazier’s ‘The Notion of Family’ (2001-2014)
The works of sound artist and nonfiction filmmaker Félix Blume deal with the interpretative possibilities of aural narratives. From installation sound-pieces built around Thailand’s shoreline, to album releases focusing on Haiti’s funerary traditions, his artistic output always serves as an extension of a wider multimedia project built around sonic tradition. Continue reading “A Pirate of Sounds” — An interview with Félix Blume
Women in Revolt is the kind of glorious filth they just don’t — or is it can’t? — make any more. Continue reading ‘Women in Revolt’
A new dossier of short texts on the cinematic work of Andy Warhol. Continue reading Re-Introducing Warhol
To tell Andy’s story, you must also tell the story of Andy’s women: beautiful, fashionable, often tragic, and Edie Sedgwick crucial among them. Continue reading Edie and Andy – ‘Poor Little Rich Girl’ and ‘Beauty No. 2’
by paul a. As its title vaguely implies, Outer and Inner Space is primarily concerned with personal (inner) and public (outer) spheres of societal life — even as the film itself is sinuously situated between these two opposing ideologies and operates in something of an intermediate territory. It’s a title that also reinforces a stark cultural dichotomy, fueling a never-ending conflict fought since the inception … Continue reading ‘Outer and Inner Space’
by Luise Mörke “I could introduce you to people… interesting people,” Ed Hood’s character in My Hustler (1965) promises the object of his desire (Paul America) in exchange for continuing their transactional relationship. The people Ed is referring to likely stem from his upper class circles. We can imagine that he will take Paul to lavish soirées and swanky parties, where one basks in the … Continue reading Vested Interest – ‘My Hustler’