Nel Dahl has authored an ambitious diptych of interviews with two key creative forces behind the band, Pulp: guitarist and keyboardist, Mark Webber and their longtime closely associated photographer, Paul Burgess.
Memory and Coexistences: An Interview with Jeannette Muñoz
Luca Mannella spoke with Jeannette Muñoz about her ‘cinema of fragments, gifts and exchanges’ and how it delves into a complex weave of historical, ecological and colonialist realities.
Dances with Pyramids: Michael Robinson’s These Hammers Don’t Hurt Us (2010)
Olivia Hunter Willke on the gilded and star-studded digital afterlife of Michael Robinson’s These Hammers Don’t Hurt Us (2010)
Mementos: On Gunvor Nelson’s Family Matters
Ruairí McCann on the late Gunvor Nelson’s cinematic embodiments of the conflicts, complexities and revelations of family life and ageing.
Images of Time: An Interview with Shinya Isobe
Alex Fields speaks with Shinya Isobe about the gradual development of his experimental approach, time and cinema, the dynamic presence of sound in his work, and more.
Redrawing the Map: Alpe-Adria Underground! (2024) and the Unfolding Histories of Slovenian Experimental Cinema
Mariya Nikiforova writes about Alpe-Adria Underground! (2024), an ambitious chronicle of Slovenia experimental cinema. Nikiforova’s essay digs into the challenges of film historiography while giving a detailed overview of this rich and overlooked heritage.
“I Listen to the Worn-Out Rain”—the Ineffable Vibrations of Loren Connors
Maximilien Luc Proctor gives an overview of the twists, turns and poetics of poet, magician, sage Loren Connors.
Dossier: Loren Connors
A new dossier of texts about the avant-garde blues of Loren Connors.
“Don’t Fence Me In”: A Conversation with Larry Gottheim and Forrest Sprague
Devin Leong speaks with Larry Gottheim and Forrest Sprague about their new film A Private Room, the collaborative process and Gottheim’s work.
Should Caravans Fly?: Ben Rivers on the Magic and Alchemy of ‘Bogancloch’
Arta Barzanji interviews Ben Rivers about his new film ‘Bogancloch’ (2024) and how both intuition and premeditation guide his filmmaking.