Emily Jisoo Bowles on 3 films that screened at this year’s IFFR, which use found footage to interrogate historical, political and representational fissures.
Review: ‘To The Moon’ (2020), dir. Tadhg O’Sullivan
by Ruairí McCann One of the most iconic images of early cinema, from Georges Méliès’s Le Voyage dans la Lune (1902), depicts a cylindrical rocket ship lodged in […]