by Lucía Salas We’re proud to present this piece in both English and Spanish, translated by the author. When studying the history of film, we start with its […]
Movie Club #3: ‘Darkness, Darkness, Burning Bright’ (2022) by Gaëlle Rouard
Starting today, April 14th, Darkness, Darkness, Burning Bright is available to stream for Ultra Dogme’s Movie Club subscribers for two weeks, through April 28th. 50% of the income […]
Translation: Raymond Bellour on ‘Flo Rounds a Corner’ (1999)
Christian Flemm translates Raymond Bellour’s 2006 article on ‘Flo Rounds a Corner’.
Oil and Water: Three Films by Nikos Nikolaidis
by Dylan Adamson At about the half hour mark of Nikos Nikolaidis’ Morning Patrol (1987), the unnamed lead character wanders into an empty movie theater, drawn by the […]
Fox Maxy: Framing the Land
by Laia Nadal I often think about films that, as Susan Sontang would say, are a vast repository of images that make it difficult for us to forget. […]
Angel Olsen: Traveling Towards the Tiniest Light
by Dana Reinoos In 2011, Angel Olsen introduced herself to the public as a woman emerging from the darkness with a Mona Lisa smile, and one who carried […]
Gina Telaroli: Reimaging
by Liam Kenny It was during Light Industry’s showing of William Wellman’s Good-bye, My Lady that I first saw Gina Telaroli take a picture of a cinema screen […]
Helke Misselwitz: Moving East to West Amidst the Sperrmüll
Reflections on Bulky Trash (Helke Misselwitz, 1991) by Elspeth Vischer Reflections on labour and parenting in the final days of the GDR are framed within an interesting dichotomy […]
In and Out Front of You: An Interview with Tenzin Phuntsog
A.E. Hunt speaks with artist Tenzin Phuntsog about his works at the Berlinale Forum Expanded, showing through March 5th.