Join us in celebrating women artists of the world!
Women’s Day: The Limits of Intimacy and Language in the Genealogical Cinema Of Sofia Bohdanowicz
Over the course of three features, several shorts and an amalgamation of fiction and non-fiction, Canadian filmmaker Sofia Bohdanowicz has deepened her expression of how family wields a powerful and complex influence over an individual’s sense of self.
Women’s Day: Perfect, Imperfect Endings – On Barbara Loden’s ‘Wanda’ (1970)
by Patrick Preziosi Art can be inherently political, but demanding didactic manifestations of intent and closed-circuit endpoints is anything but–– the most piercingly conscious works eschew such politeness […]
Album Review: ‘Circles’ by Mac Miller
When it comes to reevaluating posthumous releases from recently passed rappers these past few years, it’s been best to cede a little more slack than usual to the overall integrity of such projects, given the ever-growing porousness of release guidelines.
Album Review: ‘Phantom Rhythm 幽靈節奏 (幽霊リズム)’ by Gong Gong Gong
by Ruairí McCann [bandcamp width=100% height=120 album=2418831432 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small] There are numerous landmarks set to be struck here on the eve of the 2020s but […]
Album Review: Cherry Tree by Good Fuck
A review of the Chicago electronic duo’s sophomore album, their second release this year.
Album Review: Sonic Citadel by Lightning Bolt
The seventh and latest album from noise rock duo Lightning Bolt is the rough next step in two trajectories. One is relatively easy to draw and the other less so.
Doubling Down – DIIV’s ‘Deceiver’ and Danny Brown’s ‘uknowhatimsayin¿’
As musical boundaries continue to dissolve at such an alarming rate, the albatross of being a “buzzed about” artist hangs heavier with each year, even if we’re only going as far back as 2011-12. Looking back from the last quarter of 2019, certain bands and musicians who dominated the cultural conversation seem frivolous now, and others seem retroactively undeserving of the hand-wringing that may have accompanied their ascents.
Review: L. COHEN (2018) by James Benning
I can still see the composition of L. Cohen when I close my eyes: a nondescript green field extends diagonally towards a snow-brimmed mountain.
Rubbernecking – A Review of King Crimson’s 50th Anniversary Tour
Martin Bremer reflects on an evening in Berlin spent at a King Crimson 50th anniversary concert