by Yoana Pavlova If the invention of cinema towards the end of the XIX century is the crowning achievement of man’s attempts to master reality, the XX century […]
“At Ease with Including Your Doubt” – An Interview with Lynne Sachs
During quarantine, Tijana Perovic spoke with Lynne Sachs about her ongoing practice, connections to various legendary filmmakers, and
“There is magic to be found in everything” – Looking at films by Nathaniel Dorsky
Nathaniel Dorsky began making films in the 1960s, and worked for many years as an editor on various commercial film projects which had nothing to do with his personal interests as an artist. For him, there is a strict separation between a film made for money and a film made personally.
Berlinale 2020: “Maybe a Singular Mountain is a Feeling,” An Interview with Pushpendra Singh
by MLP As the festival came to a close, and my viewing-energy dwindled, my dear friend Anuj wrote me one evening to ask if I would be interested […]
Women’s Day: “Stuck On This Bridge of Friendship” – An Interview with Ivana Mladenović
Woche der Kritik 2020 endowed us with an opportunity to dive back into the summer of 2017, through the lens (both retinal and camera) of Ivana, the Terrible. Ivana, the Terrible, flavorful as it is, is only a snippet of the broad world of Ivana Mladenović.
Compilation: International Women’s Day 2020
Join us in celebrating women artists of the world!
An Interview with a Band Called Blessed
A few questions with Canada’s brilliant and bizarre rock outfit.
“Books on the Internet” – An Interview with Mariano Llinás
“Well, to tell you the truth, I have never started a project or a picture from a story. It has never been the way I think of the pictures. I’ve always had a subject, or more like an image, or a procedure, but never a story, the story is always the last thing that comes [to me].”
An Interview with Ivan Marković
Ivan Marković on his work as cinematographer (‘I Was at Home, But…’) and co-director (‘From Tomorrow On, I Will’) of his two most recent films.
An Interview with Frank Beauvais
by Tijana Perovic, edited by Maximilien Luc Proctor Berlinale 2019 would have been a huge success for me as a viewer, had it only screened Ne croyez surtout […]