A few questions with Canada’s brilliant and bizarre rock outfit.
“Books on the Internet” – An Interview with Mariano Llinás
“Well, to tell you the truth, I have never started a project or a picture from a story. It has never been the way I think of the pictures. I’ve always had a subject, or more like an image, or a procedure, but never a story, the story is always the last thing that comes [to me].”
An Interview with Ivan Marković
Ivan Marković on his work as cinematographer (‘I Was at Home, But…’) and co-director (‘From Tomorrow On, I Will’) of his two most recent films.
An Interview with Frank Beauvais
by Tijana Perovic, edited by Maximilien Luc Proctor Berlinale 2019 would have been a huge success for me as a viewer, had it only screened Ne croyez surtout […]
“Context is still important.” An Interview with Bill Morrison
written by Maximilien Luc Proctor, edited by Martin Bremer Wilting, bending, fraying, the edges of the frame dance. Brimming with signs of decay and the promise of a […]
Pop Kultur 2018: An Interview with Daníel Böðvarsson (of Pranke)
Like last year, I visited the 2018 edition of Berlin’s Pop-Kultur festival. My personal favorite discovery was far and away the Berlin-based prog-math-indie band Pranke (the German word […]
“I Don’t Know Why.” An Interview with Jeff Rosenstock
Jeff Rosenstock has been making music since 1995. After years spent in a band called The Arrogant Sons of Bitches, 2004 saw the formation of another band, Bomb […]
An Interview with Felix Rodriguez (of Open/Honest)
Under the moniker Open/Honest, Felix Rodriguez makes music which soothes the soul while unafraid to look at troublesome emotions, albeit wordlessly. The first EP to blossom out of […]
“The Conversation Goes Where It Goes”: An Interview with Yoni Wolf (of WHY?)
The first time I saw WHY? was on their tour supporting Mumps, etc. in 2012. It was the night before I left for Germany to do a year of […]
A Conversation with James Benning
“Alright,” nodded Benning. “It would taste the same though,” as she left. Then, “Alright, that’s enough. Bye.” He waved farewell to my phone and once I had stopped recording, lived up to the challenge of his own demanding filmmaking style, “Now you have to remember the rest.”