A short appreciation of Anna Thew’s bifurcated film of the seasons, ‘Autumn Rush for Kurt Kren and Winter and Spring and Summer’
Caught Between Two Worlds—A Scene Analysis of ‘Surname Viet Given Name Nam’ (Trinh T. Minh-Ha, 1989)
How do I make a documentary that dispels the relevance of the term ‘documentary’? This is a question that seems to pulse through Trinh T. Minh-Ha’s work, most notably in her seminal film Surname Viet Given Name Nam (1989).
Red, a Jodie Mack tribute
In February 2011, Jodie Mack’s Rad Plaid was shown at Anthology Film Archives while two groups from the audience shouted “plaid” every time they saw vertical or horizontal lines on screen.
Ann Hui
“Hui is too versatile and too prolific to be pinned down, labeled, or marketed but too prominent to be “discovered.””
“New York Our Time”—An Interview with Vivienne Dick
Ruairí McCann interviews Irish feminist experimental filmmaker Vivienne Dick about her life’s work.
“A Pirate of Sounds” — An interview with Félix Blume
The works of sound artist and nonfiction filmmaker Félix Blume deal with the interpretative possibilities of aural narratives. From installation sound-pieces built around Thailand’s shoreline, to album releases focusing on Haiti’s funerary traditions, his artistic output always serves as an extension of a wider multimedia project built around sonic tradition.
UDVFF Special Stream #3: Coming Into Focus
Tune in for a live-stream of our third special UDVFF program this Friday, February 4th at 8pm Berlin Time (Central European Time). It will remain online for 48 hours.
Correspondence: ‘The Beatles: Get Back’ (2021) dir. Peter Jackson
by Will Sloan, John Semley, and Jesse Hawken FROM WILL Hello John and Jesse, I know from your social media feeds that you are both, to some degree […]
“The Connective Tissue is the Thing That Disconnects” — An Interview with Charlie Shackleton
In Charlie Shackleton’s artistic approach, truth and fiction are never truly opposed but their continuous interaction is what fuels an innate curiosity.
The Strangely Familiar in Wen-Han Chang’s ‘Strange World’
Strange World (2018) is a short experimental film and photographic series by artist Wen-Han Chang that merges color, light, and ambient sound at a frenetic pace.