Ioannis Andronikidis traces the importance of passion, pause and desire through two works by the Greek filmmaker, referencing Audre Lorde, Clarice Lispector and Alain Resnais along the way. Continue reading Bodies De/Materialising: “Passion – Pause – Desire” in Frieda Liappa’s ‘Love Wanders in the Night’ (1981) and ‘The Years of the Big Heat’ (1991)
In 1962, film critic and theorist Victor Perkins of Movie magazine complained of ‘landscape mongering’ in the English films of the late 1950s/early 1960s – they were part of a movement known as Kitchen Sink Realism. Continue reading Essay: Urban Landscapes and Modernity in Kitchen Sink Realism
Invariably, any appraisal of Theodoros Angelopoulos’ 1975 film The Travelling Players makes note of its length—230 minutes, to be precise—as well as it’s ostentatious style—it consists of just 80 shots, almost all of which are sequence shots and hardly any are tighter than a medium close-up. Continue reading Essay: A Time For Many Words – Canon Formation, National Unity and ‘The Travelling Players’
A teenage girl lies on a towel, stealing glances at a man swimming in an indoor pool. The man, who might be her mother’s age, whips around as if sensing someone’s gaze and the girl flinches out of sight, slipping as she does into prayer — intoned and feverish, like an incantation: mother most chaste mother most pure mother without fault… Continue reading Lucrecia Martel: Four Feature Films
The destruction of a building: more important than the brief moment of the blast are the hours leading up to the detonation. Continue reading The Awkward Altbau – Urban Structures and Dreams of the Future in Konrad Wolf’s ‘Solo Sunny’ (1980)
Happy International Women’s Day Continue reading Compilation: Women’s Day 2021
To look at the design and flaws of American politics and democracy, Wiseman chooses an entire city and its system as his focal point. Gianvito, on the other hand, chooses a single individual, whose life nevertheless encapsulated a tumultuous early 20th century. Continue reading Essay: There’s no democracy of hands but there are many hands in a democracy: ‘City Hall’ (2020) and ‘Her Socialist Smile’ (2020)
Around the end of 2015, Alex Tripp had the idea to start keeping track of the music he’d heard. Continue reading Listening After 5 Years
Hello and welcome to the first-ever crossover episode between Ultra Dogme and Cinema Year Zero. Continue reading Compilation: Dogme Year Zero
by Alonso Aguilar In the oppressive temperatures of rural Brazil, bodies traverse the screen unceremoniously. Detached and absent-minded, different characters go through the motions of hard labor, unfazed by the thick layers of sweat drenching every inch of their clothes. They’re physically present, yet their minds are clearly elsewhere, refusing to be shaped by what they consider to be arbitrary circumstances. Eventually, their shifts end … Continue reading The Value of Intimacy – ‘Divine Love’ and the corporeal cinema of Gabriel Mascaro
ULTRA DOGME 