Vedant Srinivas on Zhou Tao’s new film, The Rib of the Greater Bay Area and how his work presents ‘a topography in perpetual transformation, opening onto forms of perception rarely available to human experience.’
Ultra Dogme
Ultra Dogme
Vedant Srinivas on Zhou Tao’s new film, The Rib of the Greater Bay Area and how his work presents ‘a topography in perpetual transformation, opening onto forms of perception rarely available to human experience.’
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