Major Minor Love—On Hong Sang-soo’s ‘Introduction’ and ‘In Front of Your Face’

There’s no standard criterion for deducing the major/minor status of any given Hong Sang-soo film, which occur at such a steady clip that even the usual associative buzzwords––prolific, generous, obsessive, redundant even––fail at even their most basic purpose. Continue reading Major Minor Love—On Hong Sang-soo’s ‘Introduction’ and ‘In Front of Your Face’