Ultra Dogme presents a free digital collection of new and selected texts on the cinema of Larry Gottheim.
The Raw and the Cooked: Larry Gottheim’s ‘Corn’ (1970)
Corn captures a static, but never contained view of an ordinary moment in the kitchen, accounting for the ways in which evening sunlight falls into the room and emanating vapor textures the air.
Vested Interest – ‘My Hustler’
by Luise Mörke “I could introduce you to people… interesting people,” Ed Hood’s character in My Hustler (1965) promises the object of his desire (Paul America) in exchange […]
The Awkward Altbau – Urban Structures and Dreams of the Future in Konrad Wolf’s ‘Solo Sunny’ (1980)
The destruction of a building: more important than the brief moment of the blast are the hours leading up to the detonation.
Corita Kent
Corita Kent – artist, nun, activist – flaunted her own interpretation of holiness by artfully expressing her love for the most common of things.
Compilation: Dogme Year Zero
Hello and welcome to the first-ever crossover episode between Ultra Dogme and Cinema Year Zero.
Dogme Year Zero: Topographies of Adolescence
In early October, an email reached me. ‘Comrades of the Kino’, the first line addressed its recipients.