Rounding up a well-overdue collection of memories from this year’s IFFR, Berlinale, and online festivals.
“At Ease with Including Your Doubt” – An Interview with Lynne Sachs
During quarantine, Tijana Perovic spoke with Lynne Sachs about her ongoing practice, connections to various legendary filmmakers, and
Women’s Day: “Stuck On This Bridge of Friendship” – An Interview with Ivana Mladenović
Woche der Kritik 2020 endowed us with an opportunity to dive back into the summer of 2017, through the lens (both retinal and camera) of Ivana, the Terrible. Ivana, the Terrible, flavorful as it is, is only a snippet of the broad world of Ivana Mladenović.
An Interview with a Band Called Blessed
A few questions with Canada’s brilliant and bizarre rock outfit.
“Context is still important.” An Interview with Bill Morrison
written by Maximilien Luc Proctor, edited by Martin Bremer Wilting, bending, fraying, the edges of the frame dance. Brimming with signs of decay and the promise of a […]
Pop Kultur 2018: An Interview with Daníel Böðvarsson (of Pranke)
Like last year, I visited the 2018 edition of Berlin’s Pop-Kultur festival. My personal favorite discovery was far and away the Berlin-based prog-math-indie band Pranke (the German word […]
“I Don’t Know Why.” An Interview with Jeff Rosenstock
Jeff Rosenstock has been making music since 1995. After years spent in a band called The Arrogant Sons of Bitches, 2004 saw the formation of another band, Bomb […]
An Interview with Felix Rodriguez (of Open/Honest)
Under the moniker Open/Honest, Felix Rodriguez makes music which soothes the soul while unafraid to look at troublesome emotions, albeit wordlessly. The first EP to blossom out of […]
“The Conversation Goes Where It Goes”: An Interview with Yoni Wolf (of WHY?)
The first time I saw WHY? was on their tour supporting Mumps, etc. in 2012. It was the night before I left for Germany to do a year of […]
An Interview with Nick Reinhart (of Tera Melos)
“The lyrics to ‘Trash Generator’ are somewhat about being bogged down by digital bullshit; the digital wasteland of your phone, computers, technology… I think it was probably a subconscious reaction to just the world now.”