At the recent French premiere of the documentary film The War is Never Over (2019, dir. Beth B), iconic No wave queen Lydia Lunch – whose tumultuous life and career are the subject of the film – described her constant struggle with childhood trauma as the creative force behind her long-lasting career as an artist, which now stretches over four decades.
Women’s Day: Could there be holes that even the kindness of cats can’t fill? – Naoko Ogigami’s ‘Rent-a-cat’ (2012) and compassionate improbabilities
“Feeling lonely? I’ll lend you a cat.”
Women’s Day: ‘La Chambre’ (1972) by Chantal Akerman
A 16mm camera moves slowly across a sun-filled one-room apartment from the not-too-distant past. The colors are vibrant, we see a bright red velvet chair against a light-worn wooden wall. Breakfast is laid out on a circular table, half-finished and enticing.
Women’s Day: Three thoughts on Ute Aurand
Three thoughts offered on 16mm works by German experimental filmmaker Ute Aurand.
Women’s Day: Ring Around
by Yoana Pavlova Yoana Pavlova is a Bulgarian writer, researcher, and programmer, currently based in Paris. Founding editor of Festivalists.com, with bylines for various outlets in English and French, […]
Compilation: International Women’s Day 2020
Join us in celebrating women artists of the world!
Women’s Day: The Limits of Intimacy and Language in the Genealogical Cinema Of Sofia Bohdanowicz
Over the course of three features, several shorts and an amalgamation of fiction and non-fiction, Canadian filmmaker Sofia Bohdanowicz has deepened her expression of how family wields a powerful and complex influence over an individual’s sense of self.
Women’s Day: Perfect, Imperfect Endings – On Barbara Loden’s ‘Wanda’ (1970)
by Patrick Preziosi Art can be inherently political, but demanding didactic manifestations of intent and closed-circuit endpoints is anything but–– the most piercingly conscious works eschew such politeness […]
Best of the Decade: Film
We asked our contributing writers (as well as a couple of future contributors) to offer up lists of films from the last decade which impacted them in a significant way. While we are presenting these as our ‘best of’ lists, the idea was primarily to show several lists covering a variety of moving image works from the multiplex to the avant-garde, some well-loved, others perhaps under-seen.